And then . . . your mind wanders for a brief moment.
It was just a moment.
But it was enough to sabotage you.
Your thoughts grind to a halt and you can’t remember what to say. Words fail you.
You have lost the proverbial “train of thought” and you’re on the cusp of a presentation meltdown.
What do You do?
Blank-Mind attacks all of us at one point or another during our business presentation careers.
In fact, it happens so often that it might do us some good to think ahead to how we should react to this common presentation malady.
Too often, it leads to a presentation meltdown. But it doesn’t have to.
Presenters have developed trade tricks to help us past the rough spots. Here is one stopgap solution to get you over the speed-bump of lost train of thought.
When you lose your train of thought, don’t panic or you’ll spiral quickly into a presentation meltdown.
Instead, your first reaction should be a calm academic assessment of the situation – you know what’s happened, and you already know what your first action will be. You’ve prepared for this.
Dodge Presentation Meltdown with This
Pause.
Flood the room with silence.
Look slightly upward and raise your right hand to your chin, holding your hand in a semi-fist with chin perch
ed and resting on your index finger and thumb – perhaps with your index finger curled comfortably around your chin. You know the posture.
Put your left hand on your hip. Furrow your brow as if deep in thought, which you are.
Now, while looking steadily at the floor or slightly upward at the ceiling, walk slowly in a diagonal approximately four, maybe five steps and stop, feet shoulder-width apart.
Now, assume your basic ready position and look up at your audience.
Your Bought Time
You have just purchased a good 10 seconds to regain your composure, to regain your thought pattern. Time enough to cobble together your next few sentences.
But if this brief respite was not enough to reset yourself, then shift to the default statement.
What do I mean “default statement?”
This is a rescue phrase that you craft beforehand to get you back into your speaking groove. It consists of something like this: “Let me recapitulate our three points – liberté, égalité, fraternité.”
Other phrases might be: “Now is probably a good time to look again at our main themes . . .” or “We can see again that the issue boils down to the three crucial points that I began with . . .”
And then, you simply begin ticking off your three or four main points of your presentation. In doing so, you trigger thought processes that put you back onto the correct path.
Think of this method as levering a derailed train back onto the track.
If you have prepared as you should, Blank-Mind should be no more than a small bump in the road for you, a minor nuisance with minimal damage. If you panic, however, it can balloon into something monstrous.
Remember the rescue techniques: Chin-scratch and Default Statement.
You can control the damage by utilizing the Chin-scratch, which buys you time to reassert yourself. Failing that, the Default Statement can bail you out by taking you back over familiar material you’ve just covered.
If none of the above works, however, you can still stop yourself from going into total presentation meltdown by using the two rescue words I preach to all my students . . .
Think for a moment of what I call the “Trip Test.”
Have you ever stumbled on the sidewalk, your toe catching an impossibly small defect in the concrete, enough to trip you up? You stumble and stagger a bit. And then . . .
. . . and then do you glance quickly around to see who might be looking?
Do you feel shame of some sort? If not shame, then . . . something that gives you to mildly fear the judgment of others? Even strangers.
Or do you stride purposely forward, oblivious to others’ reactions, because they truly don’t matter to you? Recognize this trip test as a measure of your self-confidence, your conception of yourself.
Recognize that you don’t need the validation of others in what you do. Consciously purge yourself of the debilitating need for approval.
The fear of judgment.
Presentation Stage Fright Begone!
This doesn’t mean to act in ways immature and self-indulgent. It means charting your own course with your internal moral and professional compass and having the strength of mind and purpose not to yield to kibitzers, naysayers, and kneejerk critics.
Now, bring that strength of mind and purpose to the realm of business presentations.
For some reason you fear your audience. The audience is your bogeyman.
But understand that they are not gathered there to harm you . . . they are gathered to hear what you have to say. And 99.9 percent of them mean you well.
They want you to succeed, so that they can benefit in some way.
They are pulling for you.
Yes, even your fellow students want you to succeed. They want to be entertained.
Please entertain us, they think.
They’re open to whatever new insight you offer. And they know, for a fact, that they will be in your same place many times during their careers.
They are fellow-travelers in the business presentation journey.
And so confidence is yours for the taking.
Confidence is not a thing.
It cannot be grasped or packaged or bought. It’s a state of mind, isn’t it?
It’s a feeling. When we get right down to it, it really is just the mental context within which we perform.
What does it really mean to be confident? Can you answer that direct question?
Think about it a moment.
See?
Seize Confidence for Yourself!
We can’t even think of confidence outside of doing something, of performing an action. Our confidence – or lack of confidence – provides us the context of our activities.
Is it certitude? Is it knowledge?
Is it bravery? Is it surety?
Think of times when you’re confident. You might be confident at playing a certain sport or playing a musical instrument.
It could be any familiar activity.
Confidence is largely the absence of uncertainty. For it’s uncertainty that makes us fearful. That, and the dread of some consequence – embarrassment or ridicule.
Many people do fear speaking before an audience, rational or no.
And it’s been that way since public speaking gained enough stature to warrant the first school of public speaking in 450 BC under the Greek scholar Corax of Syracuse.
Centuries of Presentation Stage Fright
This presentation stage fright has made its way down through the ages. It’s paralyzed thousands of speakers and presenters who have come before you. And generations of speakers have tackled this fear.
George Rowland Collins is an old master who recognized the phenomenon in 1923 and its awful effect on the would-be presenter . . .
The very first problem that faces the average man in speech-making is the problem of nervousness. To stand up before an audience without a scrap of paper or a note of any kind, to feel the eyes of dozens and even hundreds of people upon you, to sense the awful silence that awaits your own words, to know that you must depend upon yourself and yourself alone to hold the audience’s attention is as trying a task as it is possible to undertake. Most men find the task too great and shun it religiously. Those who do attempt it, voluntarily, or involuntarily, testify to the severity of the physical and mental suffering it involves.
The solution to presentation stage fright? How have centuries of speakers successfully tackled this bete noire?
Reduce your uncertainty.
Reduce your uncertainty by applying the Three Ps: Principles, Preparation, Practice. Through these, you achieve a wealth of self-confidence, and we’ll talk about the Three Ps in days and weeks to come.
They are so utterly essential to Power Presenting that they bear repetition and constant reinforcement.
They’re the cornerstone upon which you build your style, your confidence, your performance pizzazz.
Principles, Preparation, Practice
The 7 principles of presenting offered here at Business School Presenting™ – the “secrets” of the masters – are grouped under Stance, Voice, Gesture, Movement, Expression, Appearance and Passion.
Prepare your talk, then practice your talk at least 4 times, exactly as you will deliver it – without stopping.
When you apply the Three Ps, you reduce uncertainty.
You possess the facts. You’re prepared. You know what to expect because you have been there before, and because you practice.
You rehearse.
There is, of course, an element of uncertainty. Uncertainty grips you, because you cannot control everything or everybody, and this causes a tinge of anxiety.
But that’s fuel for your creative engine.
By controlling the 90 percent that you can, you are more than ready to handle the 10 percent of uncertainty that awaits you.
So the key for you is to control what you can and to dismiss your fear of the rest. Recognize that this fear is what makes you human, and it is this humanity that gives us commonality with all the public speakers and presenters who have come before us.
And it is their advice that we heed to our improvement.
Even when you are quaking in your boots with the ague of fear, and your teeth fain would beat “retreat,” you must assume a boldness you do not feel. For doing this there is nothing like deep stately breathing, a firm look at the dreaded audience . . . . But do not fear them. They want you to succeed, and always honor an exhibition of pluck. They are fair and know you are only one man against a thousand. . . . Look at your audience squarely, earnestly, expressively.
But how can you say, Professor, that there is such a thing as “bad presentation practice?”
Aren’t you pleased that folks are at least . . . practicing?
Bad practice is pernicious.
It’s insidious, and at times can be worse than no practice at all. It can create the illusion of improvement and yet be a prelude to disaster.
Check yourself out . . . then shun the Mirror
Practice is one of those words that we never bother to define, because each of us already “knows” what it means.
Certainly your professor thinks you know what it means, since he urges you to “practice” your presentation prior to its delivery.
But what does it mean to “practice?” Doesn’t everyone know how to practice?
How do you practice?
Have you ever truly thought about it? Have you ever thought about what, exactly, you are trying to accomplish with your practice? Do you make the mistake of that old cliché and “practice in the mirror?”
Don’t practice in the mirror. That’s dumb.
You won’t be looking at yourself as you give your talk, so don’t practice that way.
I say it again – that’s dumb.
The only reason to look in a mirror is to ensure that your gestures and expressions display exactly as you think they do when you employ them. Other than that, stay away from the mirror.
Practice – the right practice, good practice, proper rehearsal – is the key to so much of your presentation’s success. And your ultimate triumph.
The Russians have a saying much akin to one of ours. We say “practice makes perfect.” The Russians say “Povtoreniye mat’ ucheniya.”
It means “Repetition is the mother of learning.”
And it’s great advice.
Presentation Practice Leads to Victory
The armed forces are experts at practice. Short of actual war, this is all the military does – practice for its mission in the most realistic conditions that can be devised.
And in doing so, the military arms our warriors with the confidence and skill necessary to accomplish the actual missions assigned to it.
Likewise, we must practice in the most realistic conditions that we can devise for ourselves, and in doing so we reduce our apprehension and uncertainty.
We gain confidence.
The nerves that go with public speaking are like the nerves a soldier feels as he walks through a minefield – he fears a single misstep will trigger an explosion.
But once the minefield is traversed a single time, the path is clear. With a clear and predictable path, the fear evaporates.
The danger is avoided.
Confidence replaces fear.
Presentation Practice Eliminates Fear
Likewise, once you have practiced your talk, your fear dissipates. Once you have practiced it exactly like you will deliver it, straight to completion without pause, then you will have reduced the unknown to manageable proportions.
The gigantic phantasmagoria is shrunk.
Your way through the minefield is clear. And the fear evaporates.
Does this mean that you won’t have butterflies before a talk? Or that you won’t be nervous? Of course not. We all do.
Before every game, professional football players are keyed up, emotional, nervous. But once the game begins and they take the first “hit,” they ramp-up confidence.
Likewise, a bit of nervousness is good for you. It ensures your focus. But it’s good nervousness, borne of anticipation.
It is not the same as fear.
And so we see that the key to confidence is knowledge and preparation.
We lack confidence when we are unsure. With every practice, we gain confidence. And all the while we rehearse diligently, remember this dictum . . .
Sear This into Your Mind
Practice exactly the way you deliver your presentation.
I mean this literally.
Stage your practices, both individually and as a group, as close to the real thing as you can. Make it as realistic as you can. If you can, practice in the room where you will deliver your show.
You want as much pressure as possible.
One of the most prevalent and serious practice mistakes is to restart your presentation again and again when you make a mistake. Do not start over when you make a mistake . . .
When you stumble, practice recovering from your error.
This should be common sense. You must practice how you respond to making an error. How you will fight through and recover from an error. Then, if you stumble in your presentation, you will have the confidence and prior experience to weather the minor glitch because you will have faced it before.
Think of it this way. Does a football team practice one way all week, and then employ a completely different game-plan on game-day?
One of the keys to successful and confident performance of your business presentation is practice.
The right kind of practice.
This is even more the case with a team presentation with more moving parts and variables in the mix.
The good effects of the right kind of diligent rehearsal is twofold: 1) your material is delivered in a logical, cogent fashion without stumble . . . and, 2) the practice imbues you and your team with confidence so that stage fright is reduced to a minimum and your team’s credibility is enhanced.
Benefits of Business Presentation Practice
Practice strips away the symptoms of stage fright as you concentrate on your message and its delivery rather than extraneous audience reaction to your appearance.
But you reap the benefits of practice if your practice makes sense. This means that you practice the way you perform and avoid the two biggest rehearsal mistakes.
Mistake #1
First, do not start your presentation repeatedly, as almost all of us have done at points in our presentation careers.
Something in our psyche urges us to “start over” when we make a mistake. When we stumble, we want a “do-over” so that we can put together a perfect rehearsal from start to finish.
But when we do this, what we are actually practicing is the “starting over.” We become very good at “starting over” when we make a mistake.
But is that what we plan to do when we err in our actual presentation? Start over? No, of course not. We don’t get to start over after evey blunder.
But that is exactly what you have practiced.
If you’ve practiced that way, what will you do when you stumble? You won’t know what to do or how to handle the situation, since you have never practiced fighting through an error and continuing on.
You’ve practiced only one thing – starting over.
Instead of starting over when you err, practice the gliding over of “errors,” never calling attention to them. Practice recovering from your error and minimizing it. Perform according to the principle that regardless of what happens, you planned it.
Mistake #2
The second big mistake is practicing in front of a mirror.
Don’t practice in front of a mirror unless you plan to deliver your talk to a mirror. It’s plain creepy to watch yourself in the mirror while talking for an extended period of time. There is nothing to be gained by rehearsing one way . . . only to do something entirely different for the actual event.
Of course, you will observe yourself in the mirror as you adjust your stance and appearance to ensure that what you feel is what people see while you present on all occasions. But you do not practice your finished talk in front of a mirror. This is one of the worst things you can do in your business presentation practice.
Why would you want to grow accustomed to looking at yourself present, only to be faced with an entirely different situation for the actual presentation?
That’s just bizarre. Instead, practice in front of your roommate . . . or go to the classroom or auditorium where you’re scheduled to present.
In short, create as much of the real situation as possible ahead of time.
To ensure an especially powerful presentation every time, practice hard and repeatedly . . . but practice the right way.
When we speak of presentation stage fright, we are really talking about the battle within ourselves as we prepare to deliver our presentation.
It’s self-confidence versus self-doubt.
Confidence is one of those elusive qualities. It’s almost paradoxical. When we have it, it’s invisible. When we don’t have it, it’s all too apparent to us.
Confidence in public speaking is hard to come by.
Or so we think.
Let’s back into this thing called confidence.
Controlling Presentation Stage Fright
Your measure of your self-confidence is really a measure of your conception of yourself. Recognize that you don’t need the validation of others in what you do.
This doesn’t mean to act in ways immature and self-indulgent and uncaring of others’ expectations. It means charting your own course with your internal moral and professional compass and having the strength of mind and purpose not to yield to kibitzers, naysayers, and kneejerk critics.
For many, the audience is your bogeyman. And after reading about the symptoms and hearing so much about handwringing over presentation stage fright, if you weren’t fearful of business speaking before, you certainly are now. For some reason many folks fear the audience. Needlessly.
But understand that they are not gathered there to harm you . . . they are gathered to hear what you have to say. And 99.99 percent of them mean you well. They want you to succeed, so that they can benefit in some way.
Yes, even your fellow students want you to succeed. They want to be entertained. Please entertain us, they think. They are open to whatever new insight you can provide. And they know, for a fact, that they will be in your same place many times during their careers.
They are fellow-travelers in the business school presentation journey.
And so confidence is yours for the taking.
Confidence is not a thing. It cannot be grasped or packaged or bought. It’s a state of mind, isn’t it? It’s a feeling.
When we get right down to it, it really is just the mental context within which we perform. What does it really mean to be confident? Can you answer that direct question? Think for a moment.
See? We can’t even think of confidence outside of doing something, of performing an action.
Is it certitude?
Is it knowledge?
Is it bravery?
Is it surety?
Think of the times when you are confident. You might be confident at playing a certain sport or playing a musical instrument. It could be an activity with which you feel comfortable, through repetition or intimate familiarity.
Why are you confident?
Paradoxically, it’s the absence of uncertainty. For it’s uncertainty that makes us fearful. That, and the dread of some consequence – embarrassment or ridicule.
It should be recognized that many people do fear speaking before an audience. Presentation stage fright is so universal and it is so pervasive that we must come to grips with it.
This fear has made its way down through the ages. It has afflicted and paralyzed thousands of speakers and presenters who have come before you. Generations of speakers before you have tackled this fear. George Rowland Collins is an old master who recognized the phenomenon in 1923 and its awful effect on the would-be presenter . . .
The very first problem that faces the average man in speech-making is the problem of nervousness. To stand up before an audience without a scrap of paper or a note of any kind, to feel the eyes of dozens and even hundreds of people upon you, to sense the awful silence that awaits your own words, to know that you must depend upon yourself and yourself alone to hold the audience’s attention is as trying a task as it is possible to undertake. Most men find the task too great and shun it religiously. Those who do attempt it, voluntarily, or involuntarily, testify to the severity of the physical and mental suffering it involves.
The solution? How have centuries of speakers successfully overcome this bete noire of stage fright?
They have done it by reducing uncertainty.
Reduce your uncertainty by following the Three Ps.
Principles, Preparation, Practice
Reduce your uncertainty by applying the Three Ps: Principles, Preparation, Practice. Through these, you achieve a wealth of self-confidence. They are so utterly essential to Power Presenting that they bear repetition and constant reinforcement. They are the cornerstone upon which you build your style, your confidence, your performance pizzazz.
The 7 principles of presenting offered here at Business School Presenting™ – the “secrets” of the masters – are grouped under Stance, Voice, Gesture, Movement, Expression, Appearance and Passion. Each of these deserves its own chapter and, indeed, has its own chapter in my book The Official College Guide to Business School Presenting.
Prepare your talk, then practice your talk at least 4 times, exactly as you will deliver it – without stopping.
When you apply the Three Ps, you reduce uncertainty. You are in possession of the facts. You are prepared. You know what to expect because you have been there before, and because you practice. You eliminate Presentation Stage Fright.
There is always, of course, an element of uncertainty. You cannot control everything or everybody, and this causes a tinge of anxiety, but that’s fuel for your creative engine.
By controlling the 90 percent that you can, you are more than ready to handle the 10 percent of uncertainty that awaits you.
So the key for you is to control what you can and to dismiss your fear of the rest. Recognize that this fear is what makes you human, and it is this humanity that gives us commonality with all the public speakers and presenters who have come before us.
It is their advice that we heed to our improvement.
For instance, master J. Berg Esenwein from 109 years ago:
Even when you are quaking in your boots with the ague of fear, and your teeth fain would beat “retreat,” you must assume a boldness you do not feel. For doing this there is nothing like deep stately breathing, a firm look at the dreaded audience . . . . But do not fear them. They want you to succeed, and always honor an exhibition of pluck. They are fair and know you are only one man against a thousand. . . . Look at your audience squarely, earnestly, expressively.
And banish presentation stage fright forever.
For much more on developing professional presence and achieving personal competitive advantage through business presenting, consult The Complete Guide to Business Presenting.