Given that this election year has seen a raft of awful would-be presidential presenting, I devote to this space the second evaluation of the two political parties’ nominees.
In this case, the winner.
President-elect Donald Trump offers one of the strangest speaking styles I’ve ever witnessed on the public stage.
It combines odd gestures, rhetorical discontinuities, and counter-intuitive inflections to flummox even the most partisan viewer.
I said in another space six months ago that Mr. Trump could be our first post-modern candidate. Nothing has changed that would cause me to modify this observation.
His repetition, flights of fancy, strange interjections at inappropriate moments, and infuriating inability to complete a thought all combine with a menu of off-putting gestures.
Gestures for Presidential Presenting?
Mr. Trump, like all public speakers, has a go-to gesture that sustains him on the stump. President Obama’s go-to gesture is the “lint-pick.”
He uses with aplomb and quite often.
The “Lint Pick” is an excellent choice to exhibit precision and attention to detail. It gives the impression to an audience that you are sharing something minute yet important.
You cull out the telling point that brings everything together, and Mr. Obama has adopted this for his personal brand.
Mr. Trump’s signature gesture is what someone in a national magazine labeled the “Dainty Mobster Thing.”
In an Atlantic article by James Parker, the author observed Mr. Trump’s “dainty mobster thing he does with the thumb and forefinger of his right hand.”
Dainty Mobster is simply a version of the Lint-Pick that we’ve seen the President and many others use for years.
This version, however, is certainly something I’ve never seen anyone else use except occasionally and to a specific purpose.
Mr. Trump uses Dainty Mobster repeatedly.
When we talk about public speaking, particularly that with a high stakes element, it’s always useful to go to the film to evaluate the product.
So, let’s have a look at a speech that I annotate to call attention to speaking tics that detract from the public presentation message.
Aspiring speakers should not imitate this particular style, although unique it may be and with seemingly grandiose results. Nor should one imitate the opposing candidate, Mrs. Clinton, as we saw in our previous post.
In fact, few political figures in our time offer styles that can teach us much of anything. One of the few articulate speakers of a new political generation is Florida Senator Marco Rubio, but his is an occasional case.
For especially powerful speakers worthy of emulation, the finest Hollywood actors offer us a strong example of how to combine emotion with substance in a powerful persuasive performance.
In the absence of clear instruction, we can develop a bad presentation habit, and one of these is Busy Fingers.
Proper gesture in your presentation means controlling those aimless actions your body takes on its own . . . because of habit or nerves.
As with every craft, there is a correct way to gesture . . . and a wrong way.
For instance, without a clear notion of how gesture can enhance our business presentations, we’re left with aimless ejaculations that distract and leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers.
These are so common that I cannot but believe that someone, somewhere is training folks in these oddities, and it’s the equivalent of self-sabotage.
Control Those Busy Fingers!
Under no circumstances engage in “finger play.”
Or this nervous habit can destroy your professional presence, can weaken your confidence, can take you down a dark road of mediocrity.
This bad presentation habit many people develop unconsciously as they try to discover what to do with their hands. And so their fingers get busy on their own – Busy Fingers.
You know you should do something with your appendages, but no one has told you what. So you develop these unconscious bad presentation habits.
Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
Especially Powerful Gesture
Why would you want to “gesture?” Aren’t your words enough?
We gesture to add force to our points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, gesture can carry powerful meaning. It should carry powerful meaning; this form of nonverbal language predates spoken language.
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine.
Harmonize.
You attain a powerful communication moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy.
Be spare with your gestures and be direct, and they gain power.
Make them count for an especially powerful business presentation.
What is Body Language, and why worry about business presentation body language at all?
When we talk about body language in presentations, we really mean three distinct techniques – stance (or how we consciously position our bodies on-stage), expression (how we consciously utilize our facial expressions to enhance our meaning), and gesture (what we do with our hands to communicate).
In this post, let’s focus on gesture.
Gesture a Body Language Add-on?
Is gesture just some sort of garnish for the presentation? Something perhaps nice to have, but unessential to the point of our presentation?
Has anyone ever broken down the elements of body language for you to explain what’s good and what’s bad? What adds to and what subtracts from your show?
The fact is that you cannot separate sincerity from your appearance.
You can’t disaggregate movement from your inflection, from your volume, from your nuance.
And you cannot separate your words from gesture.
So let’s add the power of gesture to our words to achieve superior body language messaging.
So what’s a Gesture?
It’s a wave of the hand.
A snap of the finger.
A stride across the stage with arms outstretched to either side in a universal embrace.
A scratch of the chin. Crossed arms.
An accusatory finger. A balled fist at the proper moment. These are all part of presentation body language that can either enhance or destroy your presentation.
Transmitting Visuals
Professional presentation coaches understand that most of the information transmitted in a show is visual. This results from the presence of the speaker.
An audio recording of a talk is not nearly as powerful as an actual live presentation.
Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience, because “at least 85 percent of what we communicate in speaking is non-verbal.
It’s what people see in our eyes, in our movements and in our actions.”
Gestures provide energy and accent.
They add power. They add emphasis and meaning to our words.
Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture. At the proper time.
Entire books, in fact, have been written about gesture and the power it can bestow. But most of this knowledge resides in the recesses of libraries waiting to be rediscovered. See, for example, Edward Amherst Ott‘s classic 1902 book How to Gesture.
Gesture is too important to leave to chance.
It is certainly too important to dismiss with the breezy trope you occasionally hear: “Move around when you talk.” Let’s understand exactly what it means.
In 1928, Joseph Mosher defined gesture in a way that guides us even today: “Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”
As part of your presentation body language repertoire, gesture should be natural. It should flow from the meaning of your words. From the meaning you wish to convey with your words.
We never gesture without reason or without a point to make. Typically, the emotion and energy in a talk leads us naturally to gesture. Without emotion, gesture is mechanical. It’s false.
It feels and looks artificial.
Communicating Without Words
Gesture is part of our repertoire of non-verbal communication.
You have many arrows in the quiver of gesture from which to choose, and they can imbue your presentation with power. And on rare occasion, can imbue your presentation with majesty of epic proportions.
For if you don’t begin to think in grand terms about yourself and your career, you remain mired in the mud.
Stuck at the bottom.
Proper gesture increases your talk’s power and lends emphasis to your words. In fact, gesture is essential to take your presentation to a superior level, a level far above the mundane.
You limit yourself if you do not gesture effectively as you present. As with every craft, there is a correct way to gesture . . . and a wrong way.
Without a clear notion of how gesture can enhance our business presentations, we’re left with aimless ejaculations.
Movements that leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers. These are so common that I cannot but believe that someone, somewhere is training folks in these oddities.
It’s the equivalent of self-sabotage.
Control Those Fingers!
Under no circumstances engage in “finger play.”
This is a habit many people develop unconsciously as they try to discover what to do with their hands.
You know you should do something with your appendages, but no one has told you what. So you develop these unconscious motions. Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
Presentation Body Language
Why would you want to “gesture” during your business presentation?
Aren’t your words enough without resorting to presentation body language?
Frankly, words are not enough.
Gestures add force to your points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal such presentation body language?
While its range is limited, gesture can carry powerful meaning. It should carry powerful meaning; this form of nonverbal language predates spoken language. Said James Winans in 1915:
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine in superb presentation body language.
You attain an especially powerful presentation moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy.
Be spare with your gestures and be direct.
Make your presentation body language count, and you can gain incredible competitive advantage.
It’s nothing more than an add-on, right? Something perhaps nice to have, but unessential to the point of our presentation.
The fact is that you cannot separate sincerity from your appearance. You can’t disaggregate movement from your inflection. From your volume.
From your nuance.
And you cannot separate your words from gesture.
So let’s add the power of gesture to our words to achieve superior messaging.
What’s a Presentation Gesture?
A wave of the hand.
A snap of the finger.
A stride across the stage with arms outstretched to either side.
A scratch of the chin.
Crossed arms.
An accusatory finger.
A balled fist at the proper moment.
These are all gestures that can either enhance or destroy your presentation. Destroy your presentation.
Professional presentation coaches understand that most of the information transmitted in a show is visual. This is a result of the presence of the speaker.
An audio recording of a talk is not nearly as powerful as an actual live presentation. Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience, because “at least 85 percent of what we communicate in speaking is non-verbal. It’s what people see in our eyes, in our movements and in our actions.”
Whether the percentage is accurate or not, undoubtedly, gestures provide energy, and accent.
They add power, emphasis, and meaning to our words.
Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture at the proper time.
Especially Powerful Presentation Mastery
Entire books, in fact, have been written about gesture and the power it can bestow. But most of this knowledge resides in the recesses of libraries waiting to be rediscovered. See, for example, Edward Amherst Ott’s classic 1902 book How to Gesture.
Gesture is too important to leave to chance. Certainly too important to dismiss with the airy “move around when you talk.” Let’s understand exactly what it means.
In 1928, Joseph Mosher defined gesture in a way that guides us even today: “Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”
Gesture in your presentation should be natural. It flows from the meaning of your words and the meaning you wish to convey with your words.
We never gesture without reason or a point to make. Typically, the emotion and energy in a talk leads us to gesture.
Without emotion, gesture is mechanical. It’s false. It feels and looks artificial.
Communicating Without Words
Presentation Gesture is part of our repertoire of non-verbal communication. You have many arrows in the quiver of gesture from which to choose. They can imbue your presentation with power.
On rare occasion, can imbue your presentation with majesty of epic proportions.
Yes, “majesty of epic proportions.”
For if you do not begin to think in grand, expansive terms about yourself and your career, you will remain mired in the mud. Stuck at the bottom.
Proper gesture increases your talk’s power and lends emphasis to your words.
In fact, gesture is essential to take your presentation to a superior level, a level far above the mundane. You limit yourself if you do not gesture effectively as you present.
As with every craft, there is a correct way to gesture . . . and a wrong way. Without a clear notion of how gesture can enhance our presentations, we are left with aimless ejaculations that can distract and leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are several of the more common examples of bad gesturing involving just your fingers. These are so common that I cannot but believe that someone, somewhere is training folks in these oddities, and it’s the equivalent of self-sabotage.
Control Those Fingers!
Under no circumstances engage in “finger play.”
This is a habit many people develop unconsciously as they try to discover what to do with their hands. You know you should do something with your appendages, but no one has told you what. So you develop these unconscious motions.
Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
The Power of Presentation Gesture
Why would you want to “gesture?” Aren’t your words enough?
To add force to your points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, gesture carries powerful meaning. It should carry powerful meaning; this form of nonverbal language predates spoken language. Said James Winans in 1915:
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine.
You attain a powerful communication moment when your voice, your gestures, your movement, and your expressions align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy. Be spare with your gestures and be direct. Make them count.
Look for more detailed analysis on the gestures available to you in this space in coming days.
In the absence of clear instruction, we can develop a bad presentation habit.
Or two . . . or three.
Take gesture.
As with every craft, there is a correct way to gesture . . . and a wrong way. For instance, without a clear notion of how gesture can enhance our business presentations, we’re left with aimless ejaculations that distract and leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers. These are so common that I cannot but believe that someone, somewhere is training folks in these oddities, and it’s the equivalent of self-sabotage.
Control Those Fingers!
Under no circumstances engage in “finger play.” This nervous habit can destroy your professional presence, can weaken your confidence, can take you down a dark road of mediocrity.
This bad presentation habit many people develop unconsciously as they try to discover what to do with their hands.
You know you should do something with your appendages, but no one has told you what. So you develop these unconscious bad presentation habits.
Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
Stop Bad Presentation Habits!
Why would you want to “gesture?” Aren’t your words enough?
We gesture to add force to our points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, gesture can carry powerful meaning. It should carry powerful meaning; this form of nonverbal language predates spoken language.
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine.
You attain a powerful communication moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy. Be spare with your gestures and be direct.
What is presentation gesture, and why worry about it at all?
It’s nothing more than an add-on, right? Something nice to have, but unessential to the point of our business presentation.
The fact is that you can’t separate sincerity from your appearance. You can’t disaggregate movement from your inflection, from your volume. From your nuance.
So let’s add the power of gesture to our words to achieve superior messaging. And, if we’re good, improve our personal competitive advantage by way of especially powerful presentations.
What’s a Presentation Gesture?
Gesture is too important to leave to chance. Certainly too important to dismiss with the airy “move around when you talk.”
Let’s understand what it means.
In 1928, Joseph Mosher defined gesture in a way that guides us even today:
“Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”
A wave of the hand. A snap of the finger.
A stride across the stage with arms outstretched to either side. A scratch of the chin. Crossed arms. An accusatory finger.
A balled fist at the proper moment.
These presentation gestures can either enhance or destroy your presentation. Yes, destroy. Herky-jerky moves, odd nervous dancing, strange finger-tugging, aimless pacing, injudiciously timed gesticulations – all of these can undermine an otherwise outstanding verbal performance.
Especially Powerful Gesture
Professional presentation coaches understand that much of the information transmitted in a show is visual.
This results from the presence of the speaker. Because of this, an audio recording of a talk is not nearly as powerful as an actual live presentation.
Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience. She contends that “at least 85 percent of what we communicate in speaking is non-verbal. It’s what people see in our eyes, in our movements and in our actions.”
We can quibble over the exact parsing of how much communication is verbal and how much nonverbal. But there’s no doubt that gestures inject energy and accent to our business presentations.They add power, emphasis, and meaning to our words.
Presentation Gesture in History
Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture at the proper time. Entire books, in fact, have been penned about gesture and the power it can bestow. But most of this knowledge resides in the recesses of libraries waiting to be rediscovered.
See, for example, Edward Amherst Ott’s classic 1902 book How to Gesture.
Ott contends that gesture in your presentation should be natural. It should flow from the meaning of your words and the meaning you wish to convey with your words.
And we never gesture idly, without a point to make.
Typically, the emotion and energy in a talk leads us to gesture. Without emotion, gesture is mechanical. It is false. It feels and looks artificial.
Communicating Without Words
You have many arrows in the quiver of gesture from which to choose, and they can imbue your presentation with power. Gesture forms a substantial part of our repertoire of non-verbal communication, and on rare occasion, can imbue your presentation with majesty of epic proportions.
Yes, I said “majesty of epic proportions.”
For if you do not begin to think in grand, expansive terms about yourself and your career, you will remain mired in the mud. Stuck at the bottom.
Proper gesture increases your talk’s power and lends emphasis to your words. You limit yourself if you do not gesture effectively as you present.
In short, gesture is essential to take your presentation to a superior level, a level far above the mundane.
Why would you want to “gesture?” Aren’t your words enough?
We gesture to add force to our points, to slam home the major theme of our presentation.
To demonstrate honesty, decisiveness, humility, boldness . . . even fear.
A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, gesture can carry powerful meaning. It should carry powerful meaning. Speaking Master James Winans noted in 1915 that this form of nonverbal language predates spoken language.
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Another Arrow in Your Quiver
Gesture is part of our repertoire of non-verbal communication. You have many arrows in the quiver of gesture from which to choose, and they can pack power into your presentation. On rare occasion, they can imbue your presentation with majesty of epic proportions.
Yes, I said “majesty of epic proportions.”
Your careful, thoughtful gestures increase your talk’s persuasiveness and lend gravitas to your words. In fact, gesture is essential to take your presentation to an especially powerful level, a level far above the mundane.
You limit yourself if you do not gesture effectively as you present. Let’s look at some examples . . .
Something perhaps nice to have, but unessential to the point of our presentation.
The fact is that you cannot separate sincerity from your appearance. You can’t disaggregate movement from your inflection, from your volume, from your nuance.
And you cannot separate your words from gesture.
So let’s add the power of gesture to our words to achieve superior messaging.
What’s a Gesture?
A wave of the hand.
A snap of the finger.
A stride across the stage with arms outstretched to either side in a universal embrace.
A scratch of the chin. Crossed arms.
An accusatory finger. A balled fist at the proper moment. These are all part of presentation body language that can either enhance or destroy your presentation.
Professional presentation coaches understand that most of the information transmitted in a show is visual. This results from the presence of the speaker. An audio recording of a talk is not nearly as powerful as an actual live presentation.
Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience, because “at least 85 percent of what we communicate in speaking is non-verbal. It’s what people see in our eyes, in our movements and in our actions.”
Gestures provide energy and accent. They add power. They add emphasis and meaning to our words.
Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture. At the proper time.
Entire books, in fact, have been written about gesture and the power it can bestow. But most of this knowledge resides in the recesses of libraries waiting to be rediscovered. See, for example, Edward Amherst Ott‘s classic 1902 book How to Gesture.
Gesture is too important to leave to chance.
It is certainly too important to dismiss with the breezy trope you occasionally hear: “Move around when you talk.” Let’s understand exactly what it means.
In 1928, Joseph Mosher defined gesture in a way that guides us even today: “Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”
As part of your presentation body language repertoire, gesture should be natural. It should flow from the meaning of your words. From the meaning you wish to convey with your words.
We never gesture without reason or without a point to make. Typically, the emotion and energy in a talk leads us naturally to gesture. Without emotion, gesture is mechanical. It’s false. It feels and looks artificial.
Communicating Without Words
Gesture is part of our repertoire of non-verbal communication.
You have many arrows in the quiver of gesture from which to choose, and they can imbue your presentation with power. And on rare occasion, can imbue your presentation with majesty of epic proportions.
For if you don’t begin to think in grand terms about yourself and your career, you’ll remain mired in the mud. Stuck at the bottom.
Proper gesture increases your talk’s power and lends emphasis to your words. In fact, gesture is essential to take your presentation to a superior level, a level far above the mundane.
You limit yourself if you do not gesture effectively as you present.
As with every craft, there is a correct way to gesture . . . and a wrong way. Without a clear notion of how gesture can enhance our business presentations, we’re left with aimless ejaculations. Movements that leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers. These are so common that I cannot but believe that someone, somewhere is training folks in these oddities. It’s the equivalent of self-sabotage.
Control Those Fingers!
Under no circumstances engage in “finger play.”
This is a habit many people develop unconsciously as they try to discover what to do with their hands. You know you should do something with your appendages, but no one has told you what. So you develop these unconscious motions. Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
Presentation Body Language
Why would you want to “gesture” during your business presentation? Aren’t your words enough without resorting to presentation body language?
Frankly, words are not enough.
Gestures add force to your points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal such presentation body language?
While its range is limited, gesture can carry powerful meaning. It should carry powerful meaning; this form of nonverbal language predates spoken language. Said James Winans in 1915:
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine in superb presentation body language. You attain an especially powerful presentation moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy.
Be spare with your gestures and be direct. Make your presentation body language count.
To demonstrate honesty, decisiveness, humility, boldness . . . even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, presentation gesture can carry powerful meaning. It should carry powerful meaning. Speaking Master James Winans noted in 1915 that this form of nonverbal language predates spoken language.
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Gesture is part of our repertoire of non-verbal communication. You have many arrows in the quiver of gesture from which to choose, and they can pack your presentation with power. And on rare occasion, can imbue your business presentation with majesty of epic proportions.
Yes, I said “majesty of epic proportions.”
Your careful, thoughtful presentation gestures increase your talk’s persuasiveness and lend gravitas to your words. In fact, gesture is essential to take your presentation to an especially powerful level, a level far above the mundane. You limit yourself if you do not gesture effectively as you present.
Presentation gesture offers a powerful means to enhance your presentation’s depth and meaning, communicating with far more power than words alone.
What’s a powerful gesture, and why do we worry about it at all?
It’s nothing more than an add-on, right?
Something perhaps nice to have, but unessential to the point of our presentation.
The fact is that you cannot separate sincerity from your appearance.
You can’t disaggregate movement from your inflection, from your volume, from your nuance.
And you cannot separate your words from gesture.
So let’s add the power of gesture to our words to achieve superior messaging.
What’s a Gesture?
A wave of the hand.
A snap of the finger.
A stride across the stage with arms outstretched to either side.
A scratch of the chin.
Crossed arms.
An accusatory finger.
A balled fist at the proper moment.
These are all gestures that can either enhance or destroy your presentation. Yes, destroy.
Professional presentation coaches understand that most of the information transmitted in a show is visual. This is a result of the presence of the speaker.
An audio recording of a talk is not nearly as powerful as an actual live presentation.
Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience, because “at least 85 percent of what we communicate in speaking is non-verbal. It’s what people see in our eyes, in our movements and in our actions.”
Gestures provide energy, and accent.
They add power, emphasis, and meaning to our words.
Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture at the proper time. Entire books, in fact, have been written about gesture and the power it can bestow, but most of this knowledge resides in the recesses of libraries waiting to be rediscovered. See, for example, Edward Amherst Ott’s classic 1902 book How to Gesture.
Gesture is too important to leave to chance. Certainly too important to dismiss with the airy “move around when you talk.”
Let’s understand exactly what it means.
In 1928, Joseph Mosher defined gesture in a way that guides us even today: “Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”
Gesture in your presentation should be natural.
Powerful gesture It should flow from the meaning of your words and the meaning you wish to convey with your words. We never gesture without reason or a point to make. Typically, the emotion and energy in a talk leads us to gesture. Without emotion, gesture is mechanical.
You have many arrows in the quiver of gesture from which to choose, and they can imbue your presentation with power. And on rare occasion, can imbue your presentation with majesty of epic proportions. Yes, I said “majesty of epic proportions.”
For if you do not begin to think in grand, expansive terms about yourself and your career, you will remain mired in the mud.
Stuck at the bottom.
Proper gesture increases your talk’s power and lends emphasis to your words.
In fact, gesture is essential to take your presentation to a superior level, a level far above the mundane.
You limit yourself if you do not gesture effectively as you present.
As with every craft, there is a correct way to gesture . . . and a wrong way. Without a clear notion of how gesture can enhance our presentations, we are left with aimless ejaculations that can distract and leech away the power of our message and the audience’s confidence in our competence.
Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers. These are so common that I cannot but believe that someone, somewhere is training folks in these oddities, and it’s the equivalent of self-sabotage.
Control Those Fingers!
Under no circumstances engage in “finger play.”
This is a habit many people develop unconsciously as they try to discover what to do with their hands. You know you should do something with your appendages, but no one has told you what.
So you develop these unconscious motions. Many different activities come under the heading of “finger play.”
Tugging at your fingers. I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.
Bending your fingers back in odd manner. This is a ubiquitous movement, universally practiced. It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell. It’s almost a finger-tug, but more pronounced.
Waving your hands around with floppy wrist movement. This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.
Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.
The Powerful Gesture
Why would you want to “gesture?”
Aren’t your words enough?
You add gestures to add force to your points. To demonstrate honesty, decisiveness, humility, boldness, even fear. A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?
While its range is limited, gesture can carry powerful meaning.
It should carry powerful meaning; this form of nonverbal language predates spoken language. Said James Winans in 1915:
Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues. Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.
Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine.
You attain a powerful communication moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy. All of this combines for especially powerful personal competitive advantage.
Be spare with your gestures and be direct. Make them count.
Look for more detailed analysis on the gestures available to you in this space in coming weeks so that you can add personal competitive advantage to your presentation now.