General, Personal Competitive Advantage, Story, Technique

The Most Important Point of Your Presentation

Storytelling conveys your Most Important Point
Powerful Storytelling conveys your Most Important Point

I advocate storytelling in your business presentations, and your story should embody your presentation’s Most Important Point.

Stories are powerful tools of communication that can capture complex ideas in a few telling strokes.  They involve your listeners better than any other competing technique.

They can serve you well and confer personal competitive advantage over your entire business presenting career.  And they can convey your Most Important Point better in masterful fashion.

But It Takes Practice

But in telling a story, we can sometimes veer off-course.  We become so enamored with our own words that they build a momentum of their own, and they draw us along with their own impetus.

That’s why it’s imperative that we stay tethered to our main point.

Professional storyteller Doug Lippman calls this the Most Important Thing.  I like to call it the MIP – the Most Important Point.

Christopher Witt is a competent coach for today’s executives, and he makes a powerful point about a story’s MIP.  He calls it the Big Idea:

A good movie tells one simple, powerful story.  If you can’t sum it up in a sentence or two, it’s not a good story – and it won’t make a good movie. The same is true for a speech.  A movie tells one story.  A speech develops one idea.  But it’s got to be a good idea – a policy, a direction, an insight, a prescription.  Something that provides clarity and meaning, something that’s both intellectually and emotionally engaging.  It’s got to be what I call a Big Idea.

What is your Most Important Point?  Your MIP?

Decide!

Decide and make that point the focus of your story.  Rivet your attention on that salient feature!  Let this be core of your story and weave your tale around it.

I urge you to focus on one point, because our tendency as business people is to include everything initially, or to add-on infinitum until the story collapses under its own weight.  The military calls this “mission creep,” and we can call it “story creep.”

Simple awareness of story creep is usually sufficient guard against it.

Your Most Important Point

Your MIP should run through your story, both directly and indirectly.  It informs your story and keeps you on-track as you prepare your presentation.  At each stage of your presentation preparation, ask yourself and members of your group if the material at hand supports your MIP.  If it does not support your most important point, then it does not belong in your story.

Telling a story does not mean reliance upon emotion only.  You must have substance.  There must be a significant conclusion with each supporting point substantiated by research and fact and analytical rigor.

This should go without saying, but I decided to say it anyway.  Actually, Ralph Waldo Emerson said it much better than I can:

Eloquence must be grounded on the plainest narrative.  Afterward it may warm itself until it exhales symbols of every kind and color, and speaks only through the most poetic forms; but, first and last, it must still be at bottom a statement of fact.  The orator is thereby an orator, that he keeps his feet ever on a fact.  Thus only is he invincible.  No gifts, no graces, no power of wit or learning or illustration will make any amends for want of this.

For more on storytelling to convey your Most Important Point in your business presentations, consult The Complete Guide to Business School Presenting.

General, Gesture, Movement, Professional Presence

Stop the Bad Presentation Habit of Finger-play

Bad Presentation Habit
Stop the Bad Presentation Habit!

In the absence of clear instruction, we can develop a bad presentation habit.

Or two . . . or three.

Take gesture.

As with every craft, there is a correct way to gesture . . . and a wrong way.  For instance, without a clear notion of how gesture can enhance our business presentations, we’re left with aimless ejaculations that distract and leech away the power of our message and the audience’s confidence in our competence.

Accordingly, here are a few of the more common examples of bad gesturing involving just your fingers.  These are so common that I cannot but believe that someone, somewhere is training folks in these oddities, and it’s the equivalent of self-sabotage.

Control Those Fingers!

Under no circumstances engage in “finger play.”  This nervous habit can destroy your professional presence, can weaken your confidence, can take you down a dark road of  mediocrity.

This bad presentation habit many people develop unconsciously as they try to discover what to do with their hands.

You know you should do something with your appendages, but no one has told you what.  So you develop these unconscious bad presentation habits.

Many different activities come under the heading of “finger play.”

Tugging at your fingers.  I suspect that we all carry a “finger-tugging” gene embedded deep in our DNA that is suppressed only with difficulty.

Bending your fingers back in odd manner.  This is a ubiquitous movement, universally practiced.  It consists of grasping the fingers and bending them back, as if counting something, and then holding them there for a spell.  It’s almost a finger-tug, but more pronounced.

Waving your hands around with floppy wrist movement.  This is not only distracting, but the wobbly wrist action creates a perception of weakness and uncertainty.

Simply by eliminating these commonplace pathologies from your own presenting, you strengthen by subtraction.

Stop Bad Presentation Habits!

Why would you want to “gesture?”  Aren’t your words enough?

We gesture to add force to our points.  To demonstrate honesty, decisiveness, humility, boldness, even fear.  A motion toward the door, a shrug, a lifted eyebrow – what words can equal these gestures?

While its range is limited, gesture can carry powerful meaning.  It should carry powerful meaning; this form of nonverbal language predates spoken language.

Said James Winans in 1915:

Gesture, within its limitations, is an unmistakable language, and is understood by men of all races and tongues.  Gesture is our most instinctive language; at least it goes back to the beginning of all communication when the race, still lacking articulate speech, could express only through the tones of inarticulate sounds and through movements.

Imagine the powerful communication you attain when, at the proper moment, your voice, your gestures, your movement, and your expressions combine.

You attain a powerful communication moment when your voice, your gestures, your movement, and your expressions combine and align with the message and your visual aids to wash over your audience, suffusing them with emotion and energy.  Be spare with your gestures and be direct.

Make them count.

You’ll find more on correcting the bad presentation habit in The Complete Guide to Business School Presenting.

General, Gesture, Passion, Personal Competitive Advantage, Technique

Presentation Gesture for Power and Impact

Presentation Gesture for Powerful Business Presentations
Presentation Gesture for Powerful Business Presentations

What is presentation gesture, and why worry about it at all?

It’s nothing more than an add-on, right?  Something nice to have, but unessential to the point of our business presentation.

The fact is that you can’t separate sincerity from your appearance.  You can’t disaggregate movement from your inflection, from your volume.  From your nuance.

And you can’t separate your words from gesture.

So let’s add the power of gesture to our words to achieve superior messaging.  And, if we’re good, improve our personal competitive advantage by way of especially powerful presentations.

What’s a Presentation Gesture?

Gesture is too important to leave to chance.  Certainly too important to dismiss with the airy “move around when you talk.”

Let’s understand what it means.

In 1928, Joseph Mosher defined gesture in a way that guides us even today:

“Gesture may be broadly defined as visible expression, that is, any posture or movement of the head, face, body, limbs or hands, which aids the speaker in conveying his message by appealing to the eye.”

A wave of the hand.  A snap of the finger.

A stride across the stage with arms outstretched to either side.  A scratch of the chin.  Crossed arms.  An accusatory finger.

A balled fist at the proper moment.

These presentation gestures can either enhance or destroy your presentation.  Yes, destroy.  Herky-jerky moves, odd nervous dancing, strange finger-tugging, aimless pacing, injudiciously timed gesticulations – all of these can undermine an otherwise outstanding verbal performance.

Especially Powerful Gesture

Professional presentation coaches understand that much of the information transmitted in a show is visual.

This results from the presence of the speaker.  Because of this, an audio recording of a talk is not nearly as powerful as an actual live presentation.

Presentation Gesture
Presentation Gesture can be subtle . . . or expansive.

Executive coach Lynda Paulson is spot-on when she notes the power of gestures to persuade an audience . . . or to alienate an audience.  She contends that “at least 85 percent of what we communicate in speaking is non-verbal.  It’s what people see in our eyes, in our movements and in our actions.”

We can quibble over the exact parsing of how much communication is verbal and how much nonverbal.  But there’s no doubt that gestures inject energy and accent to our business presentations.They add power, emphasis, and meaning to our words.

Presentation Gesture in History

Throughout the history of public speaking, the finest communicators have known the importance of the proper gesture at the proper time.  Entire books, in fact, have been penned about gesture and the power it can bestow.  But most of this knowledge resides in the recesses of libraries waiting to be rediscovered.

See, for example, Edward Amherst Ott’s classic 1902 book How to Gesture.

Ott contends that gesture in your presentation should be natural.  It should flow from the meaning of your words and the meaning you wish to convey with your words.

And we never gesture idly, without a point to make.

Typically, the emotion and energy in a talk leads us to gesture.  Without emotion, gesture is mechanical.  It is false.  It feels and looks artificial.

Communicating Without Words

Presentation Gesture for Personal Competitive Advantage
Presentation Gesture for Power and Impact

You have many arrows in the quiver of gesture from which to choose, and they can imbue your presentation with power.  Gesture forms a substantial part of our repertoire of non-verbal communication, and on rare occasion, can imbue your presentation with majesty of epic proportions.

Yes, I said “majesty of epic proportions.”

For if you do not begin to think in grand, expansive terms about yourself and your career, you will remain mired in the mud.  Stuck at the bottom.

Proper gesture increases your talk’s power and lends emphasis to your words.  You limit yourself if you do not gesture effectively as you present.

In short, gesture is essential to take your presentation to a superior level, a level far above the mundane.

For more on presentation gesture, consult The Complete Guide to Business Presentations.

 

 

 

Career, General, Personal Brand, Personal Competitive Advantage, Professional Presence

Business Presentation Skills for a Strong Personal Brand

Business Presentation Skills for Personal Competitive Advantage
Business Presentation Skills for Personal Competitive Advantage

What is left about business presentation skills that anyone would want to read in a blog?

What is there left to say?  After two or three posts?

Doesn’t that cover it?

That’s the attitude of many young people, including my daughter, who ought to know better.

One of my former colleagues even believes he can inculcate adequate presentation skill in, as he says, “30 minutes.”

Such is the myth of the soft skill.

Adolescent Attitude Toward Business Presentations Skills

One of the conundrums of business presenting is that it’s what is known in the parlance as a “soft skill.”

This suggests that skill at business presenting is somehow “softer” than, say, accounting.  It therefore needs less attention or development.

It must be somehow “easier.”

That it’s something that can be “picked up along the way.”

Many people believe this.  It can damage the early careers of young people, who form a wrong impression of the craft of speaking publicly.

Public Speaking – excellent public speaking – is tough.  Delivering a superb business presentation is one of the tougher tasks, because it often requires coordination with others in a kind of ballet.

The Reality of Business Presentation Skills
Especially Powerful Business Presentation Skills
Powerful Business Presentation Skills can confer personal competitive advantage

And it requires practice, just like any other discipline.

But invariably, the “soft skill” label moves it down the priority list of faculty and college administrators and, hence, of the students they serve.

I can quickly gauge the attention on business presenting skills at an institution by simply watching a cross-section of presentations.  To be generous, student business presentations are usually poor across a range of dimensions.

They come across most often as pedestrian.  Many are quite bad.

But this is not to say that they are worse than what passes for presenting in the corporate world.  They’re usually as good – or as bad – as what is dished out in the “real world.”

The Great Embarrassment

The great embarrassment is that the majority of business students have untapped potential for becoming competent and especially powerful business presenters.  But they never realize that potential because they never progress out of the swamp of poor business presentation skills.

Some students pass through the business school funnel with only cursory attention to business presentation skills.  Perhaps I’m too demanding, and the degree of attention I’d like to see just isn’t possible.  But . . .

But the craft of business presenting needs only the proper focus and priority to transform young people into quite capable and competent presenters.

And some institutions get it right.

I’m blessed to serve an institution that takes business presentation skills seriously.  My school’s winning results in case competitions demonstrates this commitment to preparing business students to excel in the most-demanded skill that corporate recruiters seek.  A coterie of professors, particularly in finance, have recognized the power bestowed by sharp business presentation skills.

And they emphasize these skills far beyond the norm in most schools.

Business Presentation Skills for an Especially Powerful Personal Brand
Business Presentation Skills for a Powerful Personal Brand

Administrators, too, insist that students pass through rigorous workshops that inculcate in students the presenting skills to last a business lifetime.

Business Presentation Skills Build a Powerful Personal Brand

The results can be phenomenal.

Merely by exposure to the proper techniques, students gain tremendous personal career advantage.

By elevating business presentation skills to the same level of the sub-disciplines of, say, marketing, operations, or risk management, B-Schools can imbue their students and faculty with the appropriate reverence for the presentation enterprise.

One result of this is the creation of young executives who tower over their peers in terms of presenting skills.  And especially powerful business presentation skills are in high demand by corporate recruiters.

This highly refined skill of delivering stunning business presentations becomes part of a powerful and distinctive personal brand.  A brand that cannot be copied easily and so becomes part of a personal competitive advantage that can last a lifetime.

So, back to the original contention of folks who wonder what could one possibly write about in a “business presenting blog” . . . just as there is much to be learned, it means there is much to write about.

There is much to be distilled from 2500 years of recorded presentation wisdom.

The wisdom is there.  It remains for us to seize it and make it our own for enhanced personal competitive advantage.

For more on especially powerful business presentation skills, consult The Complete Guide to Business School Presenting.

 

General, Group Presentations, Structure, Technique

Powerful Business Presentation Structure

Beginning . . . Middle . . . End.  Business presentation structureEvery presentation structure should reflect this framework.

Let me rephrase.

Your presentation ought to have this framework, or you’re already in deep trouble.

Every presentation, whether individual or group, should be organized according to this structure.

Beginning . . . Middle . . . End

If you’re engaged in a group presentation, each segment of the show has this structure as well.

Your segment has this structure.

In fact, every member of a team has this same task – to deliver a portion of the presentation with a beginning, middle, and an end.

In other words, when you are the member of a 5-person team and you are presenting for, say, four minutes; during that four-minute span, you tell your story that has a beginning, middle, and an end.

Consider Your Business Presentation Structure

In the diagram below, each of the boxes represents a speaker on a five-person team delivering a group presentation.  The first speaker delivers the beginning.  The second, third, and fourth speakers deliver the middle.  The final speaker delivers the conclusion or the “end.”

Note that each speaker uses the same beginning-middle-end format in delivering his portion of the show.

Business Presentation Structure

This framework is not the only way you can build your presentation.  You can be innovative.  You can be daring, fresh, and new.

You can also fail miserably if you plunge into uncharted “innovative” territory just for a sense of ersatz “variety” or “fresh ideas” or self-indulgence.

Sparkle and pop spring from the specifics of your message and from your keen, talented, and well-practiced delivery.

Sparkle and pop do not spring from experimental structures and strange methods that swim against the tide of 2,500 years of experience that validate what works . . . and what fails.

Tested in the Fire

Beginning-middle-end is the most reliable and proven form, tested in the fires of history and victorious against all comers.

I suggest you use it to build your presentation structure in the initial stages.

You may find that as you progress in your group discussions, you want to alter the structure to better suit your material.  Please do so.  But do so with careful thought and good reason.

And always with the audience in mind and the task of communicating your main points concisely, cogently . . . and with über focus.

One way to think of your part of the presentation is material sandwiched between two bookends.  You should Bookend your show.

This means to make your major point at the beginning and then to repeat that major point at the end.

Hence, the term “Bookends.”  And in-between, you explain what your bookends are about.

Build your story within this structure and you’re on your way to a winning presentation.

For more on especially powerful business presentation structure, consult The Complete Guide to Business School Presenting.

Audience, Case Competitions, Group Presentations, Structure, Technique

Especially Powerful Presentation Openings

The Presentation Opening
The Presentation Opening sets the tone for your Business Presentation

Of course you know how to begin a business presentation with a powerful presentation opening.

The Presentation Opening is surely easy.

Right?

But do you really know how to launch a powerful presentation?

Consider for a moment . . .

Don’t Tiptoe

Do you begin confidently and strongly?  Or do you tiptoe into your presentation opening, as do so many people in school and in the corporate world?

Do you sidle into it?  Do you edge sideways into your show with lots of metaphorical throat-clearing.

Do you back into it?

Do you actually start strong with a story, but let the story spiral out of control until it overshadows your main points?  Is your story even relevant?  Do your tone and body language and halting manner shout “apology” to the audience?

Do you shift and dance?

Are you like a turtle poking his head out of his shell, eyeing the audience, ready to dart back to safety if you catch even a single frown?  Do you crouch behind the podium like a soldier in his bunker?

Do you drone through the presentation, your voice monotone, your eyes glazed, fingers crossed, actually hoping that no one notices.

A Bad Presentation Opening

I viewed a practice presentation that purported to analyze a Walmart case.  The lead presenter was Janie.  She began speaking, and she related facts about the history of the company and its accomplishments over the past 40 years.

She spoke in monotone.  She flashed a timeline on the screen.

Little pictures and graphics highlighted her points.

I wondered at what all of this might mean.

I waited for a linking thread.

Craft a superb presentation opening
Grab Your Audience with The Presentation Opening

I waited for her main point.  As the four-minute mark approached, my brow furrowed.  The linking thread had not come.

The linking thread would never come . . . it dawned on me that she had no point.  At the end of her segment, I asked a gentle question.

“Janie, what was that beginning all about?  How did your segment relate to Wal-Mart’s strategic challenges in the case at hand?”

“Those were just random facts,” she said.

“Random facts?”

“Yes!” she said brightly.

And she was quite ingenuous about it.

The Wrong Presentation Opening

She was reciting “random facts,” and she thought that it was acceptable to begin a business case presentation this way.  I do not say this to disparage her.

Not at all.

In fact, she later became one of my most coachable students, improving her presentation skills tremendously.

She has since progressed to graduate school.  And now she delivers powerful presentation openings.

But what could convince a student that an assembly of “random facts” is acceptable at the beginning of a presentation?  Is it the notion that anything you say for a presentation opening is okay?

Let’s go over the beginning, shall we?

Together, let’s craft a template beginning that you can always use, no matter what your show is about.  When you become comfortable with it, you can then modify it to suit the occasion.

You begin with your presentation opening.  Here, you present the Situation Statement.

The Situation Statement tells your audience what they will hear.  It’s the reason you and your audience are there.  What do you tell them?

The audience has gathered to hear about a problem and its proposed solution.  Or to hear of success and how it will continue.  Or to hear of failure and how it will be overcome . . . or to hear of a proposed change in strategic direction.

Don’t assume that everyone knows why you are here.  Don’t assume that they know the topic of your talk.  Ensure that they know with a powerful Situation Statement.

Set the Stage with Your Situation Statement

A powerful situation statement centers the audience – Pow!  It focuses everyone on the topic.

Don’t meander into your show with chummy talk.  Don’t tip-toe into it.  Don’t be vague.  Don’t clutter your presentation opening with endless apologetics or thank yous.

What do I mean by this?  Let’s say your topic is the ToughBolt Corporation’s new marketing campaign. Do not start this way:

“Good morning, how is everyone doing?  Good.  Good!  It’s a pleasure to be here, and I’d like to thank our great board of directors for the opportunity.  I’m Dana Smith and this is my team, Bill, Joe, Mary, and Sophia.  Today, we’re planning on giving you a marketing presentation on ToughBolt Corporation’s situation.  Again, thank you for your attention and time.  We’re hoping that—”

No . . . no . . . and no.

Direct and to-the-point is best. Pow!

Try starting this way:

Craft a powerful presentation opening for energy
Especially Powerful hooks and grabbers for your presentation opening

“Today we present ToughBolt’s new marketing campaign — a campaign to regain the 6 percent market share lost in 2013 and increase our market share by another 10 percent.  A campaign to lead us into the next four quarters to result in a much stronger and competitive market position 12  months from now.”

You see?  This is not the best intro, but it’s solid.  No “random facts.”  No wasted words.

No metaphorical throat-clearing.

No backing into the presentation, and no tiptoeing.  Just an especially powerful and direct statement of the reason you are there.

Put the Pow in Power!

Now, let’s add some Pow to it.  A more colorful and arresting introductory Situation Statement might be:

“Even as we sit here today, changes in the business environment attack our firm’s competitive position three ways.  How we respond to these challenges now will determine Toughbolt’s future for good or ill . . . for survival or collapse.  Our recommended response?  Aggressive growth.

“We now present the source of those challenges, how they threaten us, and what our marketing team will do about it to retain Toughbolt’s position in the industry and to continue robust growth in market share and profitability.”

Remember in any story, there must be change.

The very reason we give a case presentation is that something has changed in the company’s fortunes.  We must explain this change.  We must craft a response to this change.  And we must front-load our intro to include our recommendation.

That is why you have assembled your team.  To explain the threat or the opportunity.  To provide your analysis.  To provide your recommendations.

Remember, put Pow into your beginning.  Leverage the opportunity when the audience is at its most alert and attentive.

Craft a Situation Statement that grabs them and doesn’t let go.

For more on crafting an especially powerful presentation opening, consult The Complete Guide to Business School Presenting.

 

Books, Confidence, Expression, People, Technique

King, Jobs, Aristotle and the Persuasive Presentation

The persuasive presentation has a long history

Martin Luther King . . .

Steve Jobs . . .

Aristotle . . .

These three quite different men shared a respect for the power of the spoken word.

The power to persuade.

What is Rhetoric?  Do We Care?

Twenty-three centuries ago, Aristotle gave us the means to deliver powerful business presentations.  The best speakers know this, either explicitly or instinctively.

We all owe a debt to Aristotle for his powerful treatise on persuasive public speaking Rhetoric.

Rhetoric is the function of discovering the means of persuasion for every case.  These means of persuasion are delivered as a form of art.  Aristotle identified the three necessary elements for powerful and persuasive presentations – the ethos or character of the speaker, the attitude of the audience, and the argument itself.

The persuasive presentation

And the value of this powerful tool?

Just this . . .

Aristotle identified four great values of rhetoric.

First, rhetoric can prevent the triumph of fraud and injustice.  Second, it can instruct when scientific argument doesn’t work.  Third, it compels us to act out both sides of a case.  When you can argue the opposite point, you are best armed to defeat it.  Finally, it is a powerful means of defense when your opponent attacks.

As modern college texts wallow in the fever swamp of “communication theory,” Aristotle’s Rhetoric offers us a crystalline tool of power and efficacy – a sure guide to the proper techniques in business presenting.

Modern Persuasive Presentations

Two men as different as Martin Luther King and Steve Jobs understood the power of rhetoric to inspire people to action.  Dr. King for the transformation of society . . . Steve Jobs for the revolutionizing of six different technology industries.

Dr. King used one particular rhetorical technique that has become the touchstone of his legacy – his repetition of the phrase “I have a dream” during his famous 1963 speech on the steps of the Lincoln Memorial in Washington, DC.  This technique is called the anaphora.  It involves the repetition for effect of a key phrase during a presentation.  Dr. King ensured that the Dream of which he spoke would be the emotive catalyst for action.

The anaphora is part of what Aristotle recognized as art in rhetoric and is an advantage that rhetoric has over straight “scientific” expository speech in calling people to action.

Dr. King recognized the emotive power of rhetoric, and it is this power that can move listeners to action when pure logic cannot.

The persuasive presentation

A Different Venue

Steve Jobs, too, utilized the technique for a different purpose, a much more mundane purpose – the selling of electronics.  For example:

“As you know, we’ve got the iPod, best music player in the world. We’ve got the iPod Nanos, brand new models, colors are back. We’ve got the amazing new iPod Shuffle.”

The anaphora is just one example of an especially powerful rhetorical technique.  It can imbue your business presenting with persuasiveness.  And there’s more . . . so much more available to you.

Business Presentation expert Nancy Duarte provides a comprehensive list of 16 rhetorical devices that Jobs used for his business presentations.  Devices that you can use as well.

When we understand the power of rhetoric and how that power is achieved, it transforms us into more capable and competent business presenters.

Perhaps not as transcendent as Dr. Martin Luther King, but certainly especially powerful presenters in our own bailiwicks.

For more on the persuasive presentation, consult The Complete Guide to Business School Presenting.

Books, People, Resources, Slides, Story, Technique

The Best Presentation Books for 2013!

One of the Best Presentation books of 2013
Best Presentation Books

It occurred to me to compile a list of the best presentation books to recommend to readers of this blog.

It’s really an obvious exercise, isn’t it?

“Best of” lists are always popular.

To recommend books chock full of presentation wisdom to hone our skill set.  Great advice to lift our presentation to what we all sometimes refer to as “the next level.”

And then the equally obvious thought occurred to me – that list already exists.

The List of Best Presentation Books

In fact, I’m certain that several lists are already out there making the rounds.

And so I do the next best thing in this space . . .

I offer you a list of the 35 best presentation books compiled and judged by giants in the field . . . (and I offer my own view of what I consider to be the top three on the list).  Yes, you can learn something about business presenting from a book.  Quite a bit, actually.

The trick is to find the right book.

My Top Three Best Presentation Books

My personal favorites are Presenting to Win, by Jerry Weissman and Slide:ology, by Nancy Duarte, The Story Factor, by Annette Simmons.

These three books, for me, capture the spirit, the art, and the craft of especially powerful business presenting.

They advocate change.  You must change the way your deliver your presentations in ways that, at first, may discomfort you.  But they are changes that you must accept to become an especially powerful business presenter.

Best Presentation Books for 2013
Best Presentations Books . . . this one on PowerPoint Slides

The Story Factor, in particular, is strong in transforming your presentations into sturdy narratives that capture an audience and propel your listeners to action.  Consult Annette Simmons for deep learning about the power of storytelling.

A fourth book does not appear on the list.  Actually, it does, but only in a modified form.  This is Dale Carnegie’s The Quick and Easy Way to Effective Speaking.  This is an “updated” version of his classic from mid-way the last century Public Speaking and Influencing Men in Business.  In my view, the update strips much useful material from the book, and so I prefer the original.

You can find dozens of copies of the original classic for sale on ebay.  This, in my opinion, is the most useful public speaking book ever penned.

Best Presentation books
Best Presentation Book on Storytelling

If I were forced to choose one . . . this would be it.  And My Book?

My own just-published book, The Complete Guide to Business School Presenting, does not appear on this superb list of 35 books.  And so here I offer the most generous and self-aggrandizing interpretation possible . . . it just hasn’t circulated among the cognoscenti nearly enough to have created a buzz-worthy impact.

I know that you, as do I, eagerly await its appearance on next year’s “Best of” list.

Until then, enjoy the creme-de-la-creme of the best presentation books as exemplified on the 2012 list!

 

General, Technique, Voice

Stop the Presentation Warm Up!

Eliminate the presentation warm up Stop all that metaphorical throat-clearing at the start of your business presentation.

The presentation warm up.

You know exactly what I mean.

All that filler you pump into your business presentation at the beginning.

Somewhere, someone came up with the notion that you must “warm up” your audience before you launch into the meat of your talk.

A contrivance

Someone contrived the notion that you must thank everyone from your mother to the wait staff to the United States President.

Someone concocted the notion that you must praise the locale of your talk as if you’ve passed through the gates of paradise.

Forget all of that.

That’s nothing but throat clearing, and it’s done all for you, not your audience.  You’re warming yourself up to get over your nervousness.

You’re uttering meaningless platitudes that no one can call you on.  So you’re “safe.”

You think you’re safe, but you’re losing your audience, numbing them.  In their minds, they’re already folding their arms and yawning.

Stop the Presentation Warm Up!

Get to the point.

How?

Patricia Fripp is one of the nation’s finest executive and presentation coaches.  She offers especially powerful advice on launching your presentation:

Don’t be polite . . . get to the point.  [I told one client] “You’re polite . . . and that’s not a bad habit, but you don’t have much time.  They know who you are because you’ve been entertaining them.  They know where you are.  Make it about them.

“When you begin, why don’t you say:  ‘Welcome and thank you for the opportunity to host you.  In the next seven minutes, you are going to discover why the best decision you can make for your members and your association is to bring your convention to San Francisco and the Fairmont Hotel.’ . . . ”

You may argue that those polite opening comments are necessary because the audience is still settling down and not focused on you.  This may be true, but don’t let it be an excuse.  Go to the front of the room and wait until you have their attention, maintaining a strong, cheerful gaze and willing them to be silent.  If needed, state the opening phrase of your comments and then pause until all eyes are focused on you, awaiting the rest of the sentence.

I suggest you consult Patricia often as a source for no-nonsense presentation wisdom.  She’s in the National Speakers Association Hall of Fame for a reason.

And do consult The Complete Guide to Business School Presenting to resolve more speaking issues like the presentation warm up.

Personal Competitive Advantage, Professional Presence, Story

Telling Your Story for Personal Competitive Advantage

Story for Personal Competitive AdvantageOne of the most important business presenting occasions you face in your career is the job interview.

In the interview, you present for your most important client – you.

And the question I’m asked most frequently with respect to how you present your accomplishments is this:

“How do I talk about myself and my qualifications in a way that is honest and forthright and yet does not sound like braggadocio?”

This is a reasonable concern, and if you can find a way to do so, then you will have acquired an especially powerful personal competitive advantage.

No Need to Boast . . .

Few people like to boast, instead going to the opposite extreme of false humility.  Neither boasting nor meekness is the answer.

Instead, try this . . .

Understand that you are not in the interview to talk about your resume.  Your resume got you through the door and into the interview.

Now, the recruiter is searching for something more.  And that “something” is often indefinable.

Tell your story for personal competitive advantage

The recruiter is evaluating you for other things, such as corporate fit, personality, working intelligence, verbal acuity.

Many times, the recruiter doesn’t know what he or she is actually looking for.

But the recruiter does know what is unacceptable and is thus conscious of disqualifiers.

For the young or mid-level candidate, the atmosphere can feel akin to a minefield.  Some candidates feel that if they go tightlipped, they cannot make a mistake, and so they weigh each word carefully, triangulating what they believe the recruiter wants to hear.

But it is not enough to simply survive without making a slip . . . or a “mistake.”

This approach comes off as stiff, artificial, weird.

Instead, go into your interview to make the presentation of your life about you, not what you think the recruiter is looking for.

When it comes time to talk about yourself – here is exactly how to do it.

Talk about what you learned or what you discovered about yourself.

That’s it.

Digest that for a moment.

Yes, it really is that simple.  But it’s not easy, especially if you aren’t accustomed to talking about yourself this way.  It takes practice.

Talk about a difficult group project or a difficult task that required you to adapt and use your unique skill set.  In, say, a group work setting, tell of your learning about the importance of time management, of punctuality.  Translation:

        I have a great work ethic and I’m punctual.

Tell how you learned to deal with people from different cultures and backgrounds and to value difference.  Translation:

        I get along with a wide range of people.

Tell how you discovered that you gain a sense of satisfaction from helping others do their best, drawing out their best qualities and backstopping them where they are weak.  Translation:

        I’m a team-player who subordinates my ego to get the job done for the company, recognizing that others may need help on occasion, help that I freely give.

Tell how you learned about different work styles and of the different ways of tackling problems.  Translation:

     I’m flexible and adaptable to a variety of work environments and people.

For an Especially Powerful Interview

See how it works?

You don’t talk about your strengths . . . you talk of what you learned about yourself during the course of a project or task.  So think of a major project you’ve tackled in the past and build your story around that.

For example, you could say something like this:

“I worked on a major three-month project in my International Business Capstone involving a multicultural team, and in the project, I learned a great deal about myself as well as others.  I believe that I grew not only as a professional, but as a human being.  This gave me a great deal of satisfaction, especially as I saw others developing their skills as well.”

Or, if you are a young professional, you could say:

“We received a last-minute project and it was dumped on us without warning, which made us work through the weekend.  That was pivotal.  It was then that I learned that this is the nature of business – chaotic, demanding, unforgiving, unpredictable – and how I respond to the challenge makes the difference between a win and a loss.  That experience forged me, and I’ll always be grateful for it.”

With that statement, you have conveyed a wealth of positive information to the recruiter.

Of course, it all must be true, so you must adapt your story particulars to your own work life.  And all of us have these moments and experiences, so mine your recent past for them.   Your resume itself has at least a dozen stories, and it’s up to you to find them.  When you do find them, craft them, practice them, and use them . . . you will have achieved an important personal competitive advantage.

So always remember these key words . . .

Let me share with you what I learned about myself.

For more on crafting a winning story to gain personal competitive advantage, consult The Complete Guide to Business School Presenting.

Audience, Charisma, Confidence, Passion, Personal Competitive Advantage, Professional Presence, Stance, Video

Gangnam Style Presentation

Gangnam style Presentation Can elevate your own show
Gangnam Style Presentation is extreme, but instructive

Here’s a presenter who carefully follows the Three Ps of business presenting and quite obviously succeeds at his performance in a Gangnam Style Presentation.

The Three Ps, of course, are:  Principles . . . Preparation . . . and Practice.

The presenter calls himself Psy.

In this Gangnam Style presentation, Psy engages the Seven Secrets of presenting – the principles of Voice, Expression, Gesture, Appearance, Stance, Passion, and Movement – for a stunning performance.  Note that the acronym formed by those seven words is appropriate to this particular presentation:

VEGAS PM.

Applying the Three Ps

Moreover, while Psy exhibits incredible professional presence, he doesn’t rely solely on his charisma to carry his presentation.  He and his support team prepared meticulously for this performance, and they’ve obviously practiced much.

The presenter engages his audience, gives them exactly what they expected to receive, and encourages audience participation.

He exhibits tremendous focus on his main point, repeating his main point several times so that it isn’t lost – otherwise known as his song’s chorus – and he uses the same repeated choral movement to emphasize visually his song’s chorus.

View this Gangnam Style Presentation with these precepts in mind.

 

The comparison to superb business presenting is by no means a reach.

When you present, you give your audience a show.  Accordingly, you should prepare your show according to principles almost identical to those used by any stage performer.

You might not expect the kind of crazed enjoyment of your business presentation exhibited by the audience in the video (and I congratulate you if you achieve it).  But you can apply the precepts of presenting to meet your audience expectations, engage your listeners, and drive home your main point with repetition and focus.

Deliver a Gangnam Style Presentation

You can thoroughly prepare and practice your presentation, just as any worthy stage performer does.  Respect for your audience and your message demands no less than that you employ the Three Ps of business presenting.

Do this consistently, and you increase your personal competitive advantage tremendously as someone known for capable and competent business presenting.

For more on Gangnam Style business presenting, consult The Complete Guide to Business School Presenting.

Confidence, Personal Competitive Advantage, Strategic Thinking, Video

Secrets of Strategic Thinking Skills – VIDEO

Strategic thinking skills

Are there secrets to Strategic Thinking?

Yes . . . and no.

They aren’t secrets if you know them.  And they are not magical.  They are quite mundane in fact, and this disappoints folks who believe that “secrets” ought to carry the heft of incantation.

The real secret of Strategic Thinking Skills is implementing a program for thinking strategically in both our personal and professional lives.

And like so many other things . . . following through on that program.

Strategic Thinking Skills for Competitive Advantage

This takes discipline, and sometimes it takes courage.  The payoff is increased personal competitive advantage, and who wouldn’t want more of that?

As you develop a keen sense of strategy, you may find that your perspective on the world has undergone profound transformation as you begin to see patterns and routines, to identify categories, and to sense the broader macro-shifts in your own particular correlation of forces.  You gain clarity.  You begin to see the fog of uncertainty begin to clear.

By adopting combinations of techniques and tools of analysis, and by seizing a substantial role in developing your circumstances, you improve your chances of achieving your objectives.

This is the great gift of strategic thinking:  clarity and efficacy of action in a forever changing and chaotic world.

In this interview on the Goldstein on Gelt show, I touch on several useful precepts of strategic thinking.  It’s enough to get started for 2013 . . .

 

Slides, Video

Better PowerPoint for 2013! — VIDEO

 

Better PowerPoint
Better PowerPoint can Enhance Credibility

Better PowerPoint can be the boon of many a business presentation.

If you correct even a few of the most egregious errors, you can lift your presentation to a much more professional level.

One key to improving is recognizing that you might be part of the problem.  And that like most any musical instrument, you can tune yourself up to play more beautiful melodies.

One strategic way of doing this is to begin broadening your professional perspective.

Your Learning Curve for Better Powerpoint

It’s the process of enriching your personal context so that you become aware of new and varied sources of information, ideas, concepts, theories.  You become learned in new and wondrous ways.

Think of it as enlarging your world.

You increase your reservoir of usable material.  And your business presentation can connect more readily with varied audiences.

You do this in a pleasant and ongoing process – by keeping your mind open to possibilities outside your functional area.  By taking your education far beyond undergraduate or graduate school.  And that process increases your personal competitive advantage steadily.

By doing something daily, however brief, that stretches your mind.  Or allows you to make a connection that otherwise might have escaped you.

Expand Your World for Better PowerPoint?

By reading broadly in areas outside your specialty, you sharpen your acumen in your specialty.  You understand its place, its context.

Read a book outside your specialty.  Have lunch with a colleague from a different discipline.  Dabble a bit in architecture, engineering, art, poetry, history, science.

It also means sampling some of the best offerings in the blogosphere on business presentations.

For instance, my three favorite PowerPoint gurus are Nancy Duarte, Garr Reynolds, and Gene Zelazny.  Sample their online work . . . purchase their books, as I have.

Their works are invaluable tools of my trade.  If you become a serious business presenter, they’ll become your friends, too.

Light-Hearted Improvement

For a more immediate fix some of the worst PowerPoint pathologies, have a look at this fellow.

In this video, engineer Don McMillan demonstrates the most common PowerPoint presentation mistakes in a way that, well . . . have a look!

 

Expression, Imagination, Passion, People

Not so Humbug . . . a Christmas Classic!


When asked if the university stifles writers, Flannery O’Conner quipped that the university unfortunately doesn’t stifle enough of them.

Indeed.

My naturally autocratic tendencies, which have held me back in the literary world for years, compel me constantly to cast a pall on the enthusiasms of my young charges.

At this time of year, such endeavor might be considered . . . Scrooge-like.

But it’s Time for some Mind-Clearing

This is about shaking off the bad habits learned over in the liberal arts college . . . about clearing the mind . . . scattering gnat-like notions to the winds . . .

Accordingly, as a business school professor, I urge my students to dispense with their fanciful flights picked up in undisciplined liberal arts courses.  To dispense with the bad and the ugly . . . and to embrace the good.

In class, my students look at me, expectantly.  Yes, we’re there – in class – now:

“You remember those idyllic scenes conjured by your imagination, back when you were young and unjaded?  High school seniors . . . or even freshmen?  When college still had its sheen?”

I roam the floor, the space in front of the rows of desks with their internet connections.  It is my stage.

“Remember those scenes of professors and students out on the lawn under a late summer sun, students sitting cross-legged, perhaps chewing on blades of grass?  Your kindly bearded professor, a tam resting upon his head, gesturing grandly while reciting something beautiful?  Perhaps a passage from Faulkner?  Perhaps a trope from Aristotelian philosophy or verse from an angry beat poet?”

One student speaks up.

“I saw a group out there today!  Why can’t we do that?”

“Wouldn’t that be nice,” I respond.

Nods around the room.  Broad smiles.

“No, it would not be nice,” I say.  “That’s not genuine.  It’s not authentic.  Just actors performing for touring visitors and posing for publicity shots.  College isn’t like that.  There is no authentic college of your dreams waiting for you to discover.  Remember the lesson of Oliver Wendell Douglas.”

“Who?”

“Oliver . . . Wendell . . . Douglas.”

I’m concerned at this lack of essential preparatory knowledge of the modern college student at a major university.

Search for the Authentic

“The star of Green Acres, the greatest television show of all time.  Don’t you watch Nickelodeon or TV Land?”

Green Acres.  I explain.

It was really an allegory, a metaphor for our time.  Mr. Douglas was forever in search of the authentic.  He had an idyllic conception of rural life.  He abandoned his big city lawyer’s life in a quest for authentic Americana.

Instead, Mr. Douglas found a bizarre world populated by characters that could have been confected by Stephen King.

Hank Kimball.

Mr. Haney.

Sam Drucker.

Eb.

Frank Ziffle.

Everyone was an actor in a surreal drama staged for the benefit of Mr. Douglas’s dreams of the authentic rural life.

The unifying theme of the show was Sam Drucker’s general store, where many of the crucial insights were revealed.  Rural folk did not use oil lamps, “’cause we all got ’lectricity.”  The barrel in Sam Drucker’s general store was filled with plastic pickles.

The store was a magical place for Mr. Douglas, a crossroads for many of the strange characters who annoyed him so naughtily.  For the most part, they gave Mr. Douglas exactly what he wanted to see, because in the immortal words of Sam Drucker:  “City folks seem to expect it.”

The idyllic outdoor-on-the-grass-communing-with-nature-scene.

Students seem to expect it.

High Expectations

Expectations I sadly must deflate.

“I suppose that no one in this classroom has seen Star Trek II: Wrath of Khan?  And if you have, I’m betting you completely missed the theme of Jeremy Bentham’s philosophy of Utilitarianism expressed by Spock throughout the film.  Never mind the obvious references to Melville’s Moby Dick?”

“Is this class Global Strategic Management, Professor?”

Again, those naturally autocratic tendencies assert themselves.

“This class is what I want it to be.  And it is not going to be about outdoor-on-the-grass-communing-with-nature instruction.  It’s going to be . . . authentic.”

I snap my fingers.

“How many people here believe in this . . . this muse?”

There is silence.  No movement.

“You know.  This writing trope.  This muse.  Anyone ever heard of this muse?  Don’t hide from me.  I know you were exposed to this . . . this muse over in that heinous liberal arts college.”

Hands begin to go up.  Cautious hands.  More hands than I expect.  More hands than are comfortable.

Time to disabuse them, time to explode their fantasies.

“There is no muse.”

A simple declarative sentence, but with the unsentimental power and imperious grandeur of a Thomas Carlyle proclamation.

Puzzled looks.  A few of them distraught.  Then, anger.

“But there is.  There’s a muse . . . there is!”

“Humbug!  There is no muse!  Get that Birkenstock notion out of your callow head.”

“But my English prof said—”

“Your English prof is teaching because she cannot earn a living foisting this muse-myth on folks who live and breathe and work and play in the real world.  People who build bridges, crop tobacco, feed hormones to beef, fly you home over holiday break, and who serve you every day at the 7-ll.  People who pay taxes and die.”

Gasp.

“You must know only one thing.”

My voice drops low, just above a whisper, and I lean forward.  Pause.

“You must know only one thing.”

The students sense something profound coming.  They won’t be disappointed.

“Yes, there is a muse . . . I am your muse.”

I smile a benevolent smile.  I see several people actually taking notes, writing this down.

The Muse Whispers . . .

“I am on your shoulder whispering to you in those moments when you lack inspiration.  I am your solution to the blank computer screen.”

My voice rises, I lean back and spread my hands wide, just as I have seen evangelicals do when working a crowd.

“I am the muse, the answer to your writer’s block and the source of your inspiration.”

Titters of laughter ripple through the room, and I scowl.

“You think I’m joking . . . that this is a joke?”

I pace like a panther, my hands clasped behind my back.  I stalk the room, the entire space in front of the classroom and right in front of the giant PowerPoint projection screen.

I stop and face them, squaring my shoulders and flexing my jaw.

“I want you to remember that one thing when you’re up at night and time is trickling by, and you have an assignment but no ideas and no hope . . . .”

They are silent, and they watch me.

The Incantation . . .

“I will perch on your shoulder, and I will whisper to you just four words.  I want you to remember those four words.  Just four little words – just five little syllables.  They are magic words!  An incantation!  A mantra to warm you on those cold nights bereft of imagination, as you trek that barren wasteland of words without order, without discipline, without a point.”

I have their attention now.  They are rapt.

Will I win them over this time?  Can I break through?  Can I help them make the leap from soaring idealism to mundane responsibility?

“Remember these words:  Love … the … Value … Chain!”

Groans.

They’ve heard this before.  They sound disappointed.  Cheated.

So many fail to see the beauty of disaggregating the firm into its functional components.  The analytical precision it provides, the world of discovery that it opens up!  So many stop short of making that final connection . . . except this time . . .

“I love the value chain, Professor!”

“Really?”

I’m skeptical, jaded.  I search for signs of duplicity.  But detect nothing but enthusiasm.

“Which part of the value chain do you feel the most affinity for?”

“Since I’m chronologically oriented, Professor, I’m partial to Inbound Logistics!”

There is a general murmuring and uneasiness in the class.  Inbound logistics?

I nod sagely.  “That’s fine, Ms. Zapata.  It’s okay to privilege one segment of the value chain over another, if it gives you the key to identifying competitive advantage!”

A hand shoots up and a voice cries out before I can acknowledge it.

“Operations!  That’s the ticket for me.”

And yet another!

“After sale Service!” a voice in the back calls out.  “Professor, Customer Relationship Management has a symmetry and logic about it that outstrips anything we touched on in my basic philosophy courses!”

The dam had finally burst, and the classroom buzzed with talk of core competencies, competitive analysis, environmental scans, core products, strategy formulation processes, Five Forces analysis, and comparative advantage!

They are convinced – finally – that strategy and value chain analysis can be an art.  I even say positive things about accounting and accountants, observing that there is a bit of art and flair and imagination necessary to produce a product desired by the employer . . . or patron.  Think of Michelangelo painting the Sistine Chapel for his patron.

The Value Chain!  Inbound logistics, Operations, Outbound logistics, Sales and Marketing, and Service.

If ever there were a time for sentimentality and outright weeping, this was it!

But then . . .

But then, one of the most staid literary conventions of all time reared its ugly head.

I woke up.

I awoke from a dream.

A Sweet, Impossible Dream

It was nothing but a sweet dream.  Students excited at the prospect of writing a paper on value chain analysis . . . on identifying a company’s core competency and developing a strategic plan to gain sustained competitive advantage based on that competency . . . students who loved the value chain . . . who could see the art and creativity demanded of the accountant and financial manager.

Who could see the beauty in efficient operations management.

Who would strive for efficiency because it was the right thing to do!

It was all a sweet dream.

A cruel dream.

I awoke to a cold, winter world where idealistic students still dream and irresponsible students still party and wiseacre students still wisecrack with a tiresome world-weariness.  Who write with an undisciplined lackadaisical casualness that drives me to distraction.

It is the little things that do this.

I close my eyes and maybe . . . perhaps I can recapture a bit of the magic.  Recapture the dream.

I look up, startled to find a group of students gathered round my desk after I have dismissed class.  They are heading home in the cold for their winter break.

“What’s this?”

“A gift, Professor.”

“Thank you.”

“Aren’t you going to open it?”

I peel the wrap away in a crinkle of coated Christmas paper.  It’s a book.  A copy of Peter Drucker’s Management.

It’s a first edition, and I feel my eyes tearing up.

“We know how much you like Green Acres.  And Drucker’s general store.”

Smiles abound.  I cock one eyebrow, as I am wont to do.

“You do know that it wasn’t Peter Drucker’s store?  It was Sam Drucker’s general store.”

“Does it really matter, Professor?”

“In the grand scheme of things, I suppose that it does not.  Merry Christmas.”

“Merry Christmas!”

Why do I offer a hearty Merry Christmas instead of something ecumenically blasé?

Well, because I can.  Because I’m authentic.  Because I have authoritarian tendencies.

Because I offer others a piece of my world.

And I heartily accept Hanukkah and Kwanzaa and Season’s Greetings from anyone and everyone else who cares to send ’em my way.

Now, let me go read Sam Drucker’s book on managing a general store in Hooterville.

I’m such an idealist.


Confidence, Expression, Passion, Personal Competitive Advantage, Technique

Earnestness, for an Especially Powerful Business Presentation

Earnestness, for a Powerful Business Presentation
Be earnest . . . for a Powerful Business Presentation

“Earnestness” is a word that we neither hear much nor use much these days.

That’s a shame.

Because the word captures much of what makes for an especially powerful business presentation.

Edwin Dubois Shurter was a presenting master in the early 20th Century, and he said way back in 1903 that:

“Earnestness is the soul of oratory.  It manifests itself in speech by animation, wide-awakeness, strength, force, power, as opposed to listlessness, timidity, half-heartedness, uncertainty, feebleness.”

What was true then is surely true today.

And yet, “earnestness” is frowned upon.  Perhaps some think it somehow “uncool.”

Showing Too Much Interest?

It is uncool to show interest, because . . .   If you appear too interested in something, and then you somehow are perceived as having failed, then your business presentation “defeat” is doubly ignominious.

Better to pretend you don’t care.

So the default student attitude is to affect an air of cool nonchalance.  So that no defeat is too damaging.  And you can save your cool.  You save your best – your earnestness – for something else.

For your friends, for your sports contests, for your facebook status updates.  For your pizza discussions, for your intramural softball team . . .

But this also means that all of your presentation victories, should ever you score one or two, are small victories.  Meager effort yields acceptable results in areas where only meager effort is required.

Especially Powerful Business Presenting

Mediocrity is the province of the lazy and nonchalant.  The sin of the insouciant.

Shurter was a keen observer of presentations and he recognized the key role played by earnestness in a successful presentation:  “When communicated to the audience, earnestness is, after all is said and done, the touchstone of success in public speaking, as it is in other things in life.”

Earnestness means wrapping your material in you.

Embracing your topic.

This means giving a powerful business presentation that no one else can give, one that no one else can copy.  Because it arises from your essence, your core.  It’s the source of your personal competitive advantage.

It means demonstrating genuine enthusiasm for your subject.  It means recognizing that the subject of your presentation could be the love of someone else’s life, whether it be their business or their product or their service – you should make it yours when you present.

In the process, you craft your persona, your powerful personal brand that differentiates you from the great hoi-polloi of undistinguished speakers.  And you achieve remarkable personal competitive advantage.

Embrace your topic with earnestness, and you will shine as you deliver an especially powerful business presentation.

For more on the power of earnestness and the key to delivering a powerful business presentation, consult The Complete Guide to Business School Presenting.

Audience, People, Preparation, Technique

Focus on Your Audience

Focus on your audience as a source of personal competitive advantageToo often, we can find ourselves rambling or roaming in a presentation, and this usually means we’ve strayed from the hoary principle of focus on your audience.

We haven’t established a tightly focused subject, and we’ve not linking it to a tightly focused conception of your audience.

Without tight focus on your subject, you cannot help the audience to visualize your topic or its main points with concrete details.  Without details in your message, you eventually lose the attention of the audience.

So how do you include meaningful details in your presentation, the right details?

The Devil’s in the Details

By reversing the process and visualizing the audience in detail.

This is akin to the branding process in the marketing world.  Your brand must stand for something in the customer’s mind.  And, conversely, you must be able to visualize the customer in your own mind.

If you can’t visualize the kind of person who desperately wants to hear your message, then you haven’t focused your talk enough.

Go back and retool your message – sharpen and hone it.

Think of the various consumers of products and services such as Ben and Jerry’s ice cream, Whole Foods Market, Mercedes Benz, Pabst Blue Ribbon.  Can you actually visualize the customers for these products, picture them in your mind in great detail?

Likewise, can you clearly visualize the consumers for Greenpeace, the National Rifle Association, a Classic 70s Rock radio station?

Sure you can – you immediately imagine the archetype of the customer base for each of these.

Focus on Your Audience

Now, in the same way, can you visualize the consumers of Chevrolet?  Tide?  Folgers?  United Way?  The American Red Cross?

Of course you can’t, because these brands have lost focus.  The message is too broad.

The lesson here is to focus your message on a tightly circumscribed audience type.

Who is in your audience, and what do they want from you?

Prepare your talk with your audience at the forefront.  Visualize a specific person in your audience, and write to that person.  Make that person the hero.

Talk directly to that person.

The upshot is a tightly focused message with key details that interest an audience that you have correctly analyzed and visualized.  You speak directly to audience needs in a way that they clearly understand and that motivates them.

Craft your message in this way, and you’ll be on-target every time.

Find more secrets of especially powerful presenting in The Complete Guide to Business School Presenting.

Appearance, Confidence, Professional Presence, Stance

How to Stand in a Presentation

How to stand in a presentation You want to project strength, competence, and confidence throughout your presentation.

You achieve this goal with a number of techniques, all working simultaneously and in harmony.

Those techniques comprise our backpack full of Seven Secrets.

Your first technique – or secret – is fundamental to projecting the image of strength, competence, and confidence.  This first technique is assumption of the proper stance.

Your Foundation – Power Posing

Let me preface by assuring you that I do not expect you to stay rooted in one spot throughout your talk.  But the risk of sounding clichéd, let us state forthrightly that it is impossible to build any lasting structure on a soft foundation.

This foundation grows out of the notion of what we can call “power posing.”

Let’s build your foundation now and learn a little bit about the principle of power posing, the first step in learning how to stand in a presentation.

How do you stand when you converse in a group at a party or a reception?  What is your “bearing?”  How do you stand before a crowd when you speak?  Have you ever consciously thought about it?

How you stand, how you carry yourself, communicates to others.  It transmits a great deal about us with respect to our inner thoughts, self-image, and self-awareness.

Whether we like this is not the point.  The point is that we are constantly signaling others nonverbally.

Know How to Stand in A Presentation

You send a message to those around you, and those around us will take their cues based on universal perception of the messages received.

What is true in small groups is also true as you lecture or present in front of groups of four or 400.  Whether you actually speak or not, your body language is always transmitting.  If so, just wHow to Stand in a Presentationhat is the message you unconsciously send people?

Have you even thought about it?  Have you thought about the silent and constant messages your posture radiates?

Seize control of your communication this instant.  There is no reason not to.  And there are many quite good reasons why you should.

Recognize that much of the audience impression of you is forming as you approach the lectern.  They form this impression immediately, before you shuffle your papers or clear your throat or squint into the bright lights.

They form their impression from your walk, from your posture, from your clothing, from your grooming, from the slightest inflections of your face, and from your eye movement.

The importance of knowing how to stand in a presentation has been acknowledged for centuries.  Speaking Master Grenville Kleiser said in 1912 that, “The body, the hand, the face, the eye, the mouth, all should respond to the speaker’s inner thought and feeling.”

Defeat?  Ennui?

Do you stand with shoulders rounded in a defeatist posture?

Do you transmit defeat, boredom, ennui?  Do you shift from side-to-side or do you unconsciously sway back-and-forth?

Do you cross and uncross your legs without knowing, balancing precariously upon one foot, your free leg wrapped in front of the other, projecting an odd, wobbly, and about-to-tumble-down image?

Your posture affects those who watch you and it affects you as well.  Those effects can be positive or negative.

Posture, of course, is part of nonverbal communication, and it serves this role well.  The audience takes silent cues from you, and your posture is one of those subtle cues that affect an audience’s mood and receptivity.How to Stand in a Presentation

But posture and bearing are not simply superficial nonverbal communication to your audience.  There is another effect, and it can be insidious and can undermine your goals . . . or it can be an incredibly powerful ally to your mission.

It is this:  Your body language transmits your depression, guilty, fear, lack of confidence to the audience.  It also enhances and reinforces those feelings within you.  Most often, if we fear the act of public speaking, the internal flow of energy from our emotional state to our physical state is negative.

Negative energy courses freely into our limbs and infuses us with stiffness, dread, immobility and a destructive self-consciousness.  We shift involuntarily into damage-limitation mode.

It cripples us.

Your emotions affect your body language.  They influence the way you stand, the way you appear to your audience.  They influence what you say and how you say it.

Reverse the Process

But . . .

You can reverse the process.

You can use your gestures, movement, posture, and expression to influence your emotions.

You can turn it around quite handily and seize control of the dynamic.  Instead of your body language and posture reflecting your emotions, reverse the flow.

Let your emotions reflect your body language and your posture.  Consciously strike a bearing that reflects the confident and powerful speaker you want to be.

Skeptical?

A venerable psychological theory contends this very thing, that our emotions evolve from our physiology.  It’s called James-Lange Theory, developed by William James and the Danish physiologist Carl G. Lange.  Speaking Master James Albert Winans noted the phenomenon in 1915:

Count ten before venting your anger, and its occasion seems ridiculous.  Whistling to keep up courage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything with a dismal voice, and your melancholy lingers. . . .  [I]f we wish to conquer undesirable emotional tendencies in ourselves, we must assiduously, and in the first instance cold-bloodedly, go through the outward movements of those contrary dispositions which we prefer to cultivate.

Much more recently, a Harvard study substantiated James-Lange Theory and found that power posing substantially increases confidence in people who assume them while interacting with others.

In short, the way you stand or sit either increases or decreases your confidence.  The study’s conclusion is unambiguous and speaks directly to us.  Harvard researchers Dana R. Carney, Amy J.C. Cuddy and Andy J. Yap say in the September 2010 issue of Psychological Science that:

[P]osing in high-power displays (as opposed to low-power displays) causes physiological, psychological, and behavioral changes consistent with the literature on the effects of power on power holders — elevation of the dominance hormone testosterone, reduction of the stress hormone cortisol, and increases in behaviorally demonstrated risk tolerance and feelings of power.

In other words, stand powerfully and you increase your power and presence.  You actually feel more powerful.

This finding holds tremendous significance for you if you want to imbue your presentations with power.

In our 21st Century vernacular, this means you should stand the way you want to feel.  Assume the posture of confidence.  Consciously affect a positive, confident bearing.  Square your shoulders. Affix a determined look on your face.  Speak loudly and distinctly.  In short, let your actions influence your emotions.

Seize control of the emotional energy flow and make it work for you.

Essential to this goal is that you know the difference between open body language and closed body language.

It is the difference between power posing and powerless posing.

For more on how to stand in a presentation and the other six secrets of business presenting, consult The Complete Guide to Business Presenting.

Books, Career, Confidence, General, Passion, Personal Competitive Advantage

3-D Business Presentations

business presentations for power and impact
Deliver a 3-D Business Presentation

How can you enrich your business presentation in unexpected and wonderful ways?

To deepen and broaden your perspective so that in encompasses that proverbial “big picture” we forever hear about?

Become a 3-D presenter.

Now, this means several things, including how you utilize the stage to your utmost advantage.  But a major component is the exercising of your mind.

And I talk about that here.

Your Learning Curve

It’s the process of enriching your personal context so that you become aware of new and varied sources of information, ideas, concepts, theories.  You become learned in new and wondrous ways.

Think of it as enlarging your world.

You increase your reservoir of usable material.  And your business presentation can connect more readily with varied audiences.

You do this in a pleasant and ongoing process – by keeping your mind open to possibilities outside your functional area.  By taking your education far beyond undergraduate or graduate school.  And that process increases your personal competitive advantage steadily.

By doing something daily, however brief, that stretches your mind.  Or allows you to make a connection that otherwise might have escaped you.

Expand Your World to Expand Your Business Presentations

By reading broadly in areas outside your specialty, and by rekindling those interests that excited and animated you early in life.

Read a book outside your specialty.  Have lunch with a colleague from a different discipline.  Dabble a bit in architecture, engineering, art, poetry, history, science.

It also means sampling some of the best offerings in the blogosphere on business presentations.

For instance, my three favorite PowerPoint gurus are Nancy Duarte, Garr Reynolds, and Gene Zelazny.  Sample their online work . . . purchase their books, as I have.

Their works are invaluable tools of my trade.  If you become a serious business presenter, they’ll become your friends, too.

No Cloistering!

We sometimes cloister ourselves in our discipline, our job, our tight little world, forgetting that other fields can offer insights.  For myself, while teaching in the LeBow College of Business at Drexel University, I am also sitting in on a course sponsored by another university’s History Department’s Center for the Study of Force and Diplomacy – “Grand Strategy.”

What a leavening experience this promises to be:  Thucydides, Machiavelli, Clausewitz, Lincoln, and many others . . .

Does this help in preparing my own classes?  At this point, I can’t be certain.

And that’s the beauty and potential of it.

I do know that it will enrich my store of knowledge so that my own presentations continue  in 3-dimensional fashion, connected to the “real world.”  They are textured, deep, and richer than they otherwise would have been.

It will do the same for your business presentations.  And it will likely aid in your developing into an especially powerful presenter, imbued with professional presence and increased personal competitive advantage.

For more on how to develop and deliver especially powerful business presentations, consult The Complete Guide to Business School Presenting.

Audience, Career, Confidence, Personal Competitive Advantage, Slides, Technique

Powerful Presentation Words: “This means that . . .”

Powerful Presentation Words can transform your show

“This means that . . .”

These three powerful presentation words hold incredible promise and potential for your business presentation.

And yet they go missing more often than not.

These three powerful presentation words can transform the most mundane laundry-list presentation into a clear and compelling tale.

The Most Obvious Thing . . .

One of the biggest problems I see with student business presentations is the hesitancy to offer analysis and conclusions.  Instead, I see slide after slide of uninterpreted information.

Numbers.

Pie-charts.

Facts.

Lots of reading from the slide by the slide-reader-in-chief.

Raw data or seemingly random information is offered up just as it was found in the various consulted sources.

This may be because young presenters receive little instruction on how to synthesize information in a presentation segment into a cogent expression of “Why this is important.”

As a result, these presentations present the illusion of importance and gravitas.  They look like business presentations.  They sound like business presentations.

But something’s missing.

The audience is left with a puzzle.Powerful Presentation Words are like magic

The audience is left to figure it out for themselves.

The audience is left to figure out what it all means.  Left to interpret the data, to judge the facts.

In other words, the presentation is subject to as many interpretations as there are audience members.

Does this sound like a formula for a persuasive and powerful presentation that issues a firm call-to-action?

Of course not.  This is a failed presentation.

You know it, and it seems obvious.  But still, I see it more often than not.

If you find yourself in this fix, delivering ambiguous shows that draw no conclusions, you can remedy this with three little powerful presentation words at the end of each segment of your presentation.

“This means that . . .”

How Powerful Presentation Words Work

At the end of your explication of data or information, you say something like this:

“This means that, for our company, the indicators displayed here suggest a more aggressive marketing plan than what we’re doing now.”

Or this:

“These figures indicate that more vigilance is needed in the area of credit risk.  For our department, this means that we must hire an additional risk analyst to accommodate our heightened exposure.”

See what this does?

You hand the audience the conclusion and recommendation that you believe is warranted.  You don’t assume that the audience will get it.  You don’t leave it to your listeners to put the puzzle together.

That’s what you are paid to do in your presentation.

You are tasked with fulfilling the promise and potential of your presentation.  Don’t shrink from this task.

Instead . . . relish it.

Try it.

If you do, this means that you will invest your presentation with power, clarity, and direction.

For more powerful presentation words, consult The Complete Guide to Business School Presenting.

Confidence, Personal Competitive Advantage, Professional Presence

Your Silver Bullet Skill . . . ENCORE!

The Choice is Yours to Acquire the Silver Bullet Skill

If you discovered that there was one thing – one skill – that could give you incredible personal competitive advantage after graduation, wouldn’t that be great?

What would you think of that?  Too good to be true?

And what if you discovered that this skill is something that you can develop to an especially powerful level in just a handful of weeks?

What would that be worth to you?

Worth How Much?

Would it be worth the price of a book to get you started?  Think of it – a skill you can learn in 4-5 weeks that can provide you lasting competitive advantage through the rest of your working life.

A skill that few people take seriously.

A skill that is in high demand by America’s corporations.

Companies haven’t nearly enough personnel who can communicate effectively, logically, comfortably, clearly, and cogently.  This is why corporate recruiters rate the ability to communicate more desirable in candidates than any other trait or skill.

Capable business presenting is a high-demand skill.

This is the Silver Bullet Skill

And this is the silver bullet you’ve always sought.

You, as a business student or young executive, gain personal competitive advantage vis-à-vis your peers, simply by taking presenting seriously.  You gain incredible advantage by embracing the notion that you should and can become an effective and capable business presenter.

In other words, if you actually devote yourself to the task of becoming a superb speaker, you become one.

And the task is not as difficult as you imagine, although it isn’t easy, either.

You actually have to change the way you do things.  This can be tough.  Most of us want solutions outside of ourselves.  The availability of an incredible variety of software has inculcated in us a tendency to accept the way we are and to find solutions outside ourselves.

Off the shelf.  In a box.

This doesn’t work.  Not at all.

You cannot find the secret to great business presenting outside of yourself.  You already carry it with you.

But . . .

But you will have to change.

personal competitive advantage
Powerful Presenting Skills can lift you into the High-demand Skill Zone

This is about transformation.

Transformation of the way we think, of the way we view the world, of the lens through which we peer at others, of the lens through which we see ourselves.

It is a liberating window on the world.  And it begins with your uniqueness.

No, this is not esteem-building snake-oil.  It is a quite cool observation.

I am not in the business of esteem-building, nor do I toil in the feel-good industry.  If you had to affix a name to it, you could say that I am in the business of esteem-discovery.

So you are unique, and your realization of this and belief in this uniqueness is utterly essential to your development as a powerful business presenter.

But given the tendency of modernity to squelch your imagination, to curtail your enthusiasm, to limit your vision, and to homogenize your appearance and your speech, you have probably abandoned the notion of uniqueness as the province of the eccentric.  Perhaps you prefer to “fit in.”

Some truths can be uncomfortable.  Often, truths about ourselves are uncomfortable, because if we acknowledge them, we then obligate ourselves to change in some way.

But in this case, the truth is liberating.

Don’t Shrink . . . Grow!

Recognize that you dwell in a cocoon.  Barnacles of self-doubt, conformity, and low expectations attach themselves to you, slowing you down as barnacles slow an ocean liner.

Recognize that in four years of college, a crust of mediocrity may well have formed on you.  And it is, at least partially, this crust of mediocrity that holds you back from becoming a powerful presenter.

Your confidence in yourself has been leeched away by a thousand interactions with people who mean you no harm and, yet, who force you to conform to a standard, a lowest common denominator.

personal competitive advantage
Your key to personal competitive advantage

People who shape and cramp and restrict your ability to deliver presentations.  They lacquer over your innate abilities and force you into a dull conformity.

Your world has shrunk incrementally, and if you do not push it out, it will close in about you and continue to limit you.

Your most intimate acquaintances can damage you if they have low expectations of you.  They expect you to be like them.

They resent your quest for knowledge and try to squelch it.

Beware of people who question you and your desires and your success.  I suggest that you question whether these people belong in your life.

Yes, you are unique, and in the quest for business presentation excellence, you discover the power of your uniqueness.  You strip away the layers of modern mummification. You chip away at those crusty barnacles that have formed over the years without your even realizing it.

It’s time to express that unique power in ways that support you in whatever you want to do.

For more on developing your uniqueness as a presenter, consult The Complete Guide to Business School Presenting.

For Especially Powerful Business Presentations

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