Finance students can gain competitive advantage with superior finance presentation PowerPoint
Whether the presentation class is in Philadelphia . . . or Mumbai . . . or Cali . . . or Chennai . . . or Singapore . . . I hear the same universal and eerie refrain from finance students everywhere with regard to their finance presentation PowerPoint—
“Finance is different.”
“We don’t do all of that soft-skill kumbaya presentations stuff.”
“For us, the numbers tell the story.”
Worshiping at the Altar of Numbers
Numbers seem to enchant business-people in deep and mysterious ways.
It’s almost as if numerical constructs are somehow less malleable than the English language, less subject to manipulation.
In a chaotic world, a spreadsheet exudes familiarity, a firm valuation offers comfort, an income statement serves as anchor.
For some, numbers convey a certitude and precision unavailable to mere rhetoric.
This illusion of certitude and precision exerts influence on finance folks to believe that, well . . . that the laws of human nature that stymie the rest of us do not apply to them in the coldness and hardness of objective numerical analysis.
Finance presentations are somehow harder.
They appear more firmly rooted in . . . well, rooted in the very stuff of business.
Finance Presentation PowerPoint . . . Beware!
But this is an illusion.
Among other problems, the numbers on a spreadsheet are nothing more than proxies for the conditions that gave rise to them in the first place.
Yet folks create and sustain the myth that “The numbers tell the story.”
But the numbers tell no story.
They are mute.
They offer the illusion of precision. They offer fool’s gold to those who worship at the numbers altar.
The result is 2D presenting, full of voodoo and bereft of nuance and subtle analysis.
Where business presentations are concerned, finance folks are not different, special, unique or otherwise gifted with special powers or incantations denied the mere mortals who toil in marketing or human resources.
Delivering rilliant finance presentation PowerPoint isn’t difficult . . . neither is is easy
We’re all subject to the same demands placed upon us by the presentations beast, demands that nettle us equally and indiscriminately during the business presentation process.
As with most things, there is bad news and good news in this slice of life provided here.
Finance Presentation Hell
The bad news is that modern finance presentations are a vast wasteland of unreadable spreadsheets and monotonous, toneless recitations of finance esoterica.
It seems that there must be a requirement for this in finance.
In fact, many finance presentations crumble into little more than meeting “discussions” about a printed analysis distributed beforehand. They’re picked apart by Gotcha! jackals with nothing on their minds except proving themselves worthier than those who might be unlucky enough to be the presenter du jour.
Finance presentation PowerPoint shows seem to offer nothing save the opportunity for public posturing and one-upmanship.
A presenter or group of presenters stands and shifts uncomfortably while everyone else sits and interrupts with strings of gotcha questions, usually couched to demonstrate the mastery of the questioner rather than to elicit worthy information.
Several presentation cliches guarantee this sorry state of affairs a long life. But there’s hope.
Upcoming posts offer solutions to this common presentation conundrum.
It takes a long time to become a powerful and effective business presenter . . . and it takes much more effort than simply reading the occasional article offering presentation “tips.”
This should be an intuitive point.
Nonetheless, such articles sprout unmolested over the landscape.
And I suppose they can serve a purpose . . .
If perchance they help even a single person elevate their presentation game, then let a thousand presentation tips articles bloom.
We’ve all been there: an Excel spreadsheet smeared across a presentation slide and someone mumbling into a microphone while you check your email just to stay awake. It’s presentation hell. But it doesn’t have to be this way. In How to Be a Presentation God, Scott Schwertly shares effective step-by-step secrets for delivering transcendent presentations with an easy-to-implement approach focused on engaging content, personal storytelling and effective design elements — the holy trinity that leads to godly delivery.
What chutzpuh, if nothing else.
I think not.
If presenting were that easy, wouldn’t we have a whole lot more “presentation gods” striding our corporate corridors?
That said, I recognize that much of the hype in such headlines is simply to get folks to read the piece.
And the over-promise of a headline does not obviate the fact that likely some good advice might be buried somewhere inside.
You simply must dig for the gold . . . and then do something with it.
Presentation Tips Gold
Here is one such article, in which the author details the struggles of his son giving his first major talk in front of hundreds of investors. We all respond well to uplifting stories. Stories in which the hero overcomes great odds.
And those of us in the business presentation enterprise face great odds with every presentation. And if we don’t recognize the stakes for what they are and prepare accordingly . . . we have already lost the game.
As with most such pieces, it over-promises. The title alone gives it away:
How To Go From Being a Disaster—To a Great Speaker
You know or you should know that you don’t go from disastrous speaking to becoming a “great speaker” from reading one article on presentation tips.
But . . .
This article does offer powerful and effective advice grouped into eight points to get you on your way.
As with most of these things, the article is fun to read and satisfying.
We read. We nod. Scratch the chin.
“I can do that,” we think.
But to follow the advice, ahhhh . . . that is the rub!
It requires behavior changes, and this is the most difficult thing for people to do.
I have seen it time and again in my classes . . . students know the information. They internalize it. They receive instruction.
But nothing happens.
They don’t change.
They continue plying their unconscious bad habits, even when those habits are pointed out and become part of the realm of the known.
I have always considered presentation tips – “McTips” – to be the fast food of instruction
What about those ubiquitous articles that offer “presentation tips” to help improve your business presenting?
I hate ’em.
Even so, I sometimes relent . . . and give a tip.
In fact, I’m often asked for “quick tips” to improve a presentation or a speech, and I invariably oblige . . . even though I’m philosophically opposed to the “McTips” school of presentation instruction.
Why do I relent?
Utility.
A hasty presentation McTip can sometimes offer the exact solution needed. Often, all it takes for a fine speaker to vault to the next level is the correction of a tic or bad habit.
These tics affect us all, and they’re like barnacles on a ship, slowing us down. They prevent us from reaching our full potential.
And so, I acknowledge that sometimes a single “tip” can make a powerful difference in the presenting trajectory of an individual person striving to tweak his delivery in a meaningful way.
So here’s a tip.
Here’s a “McTip” for the Day
We all engage in a particular debilitating phrase. We’re all guilty of it at some point. This phrase is like a leech, fastened onto our presentation, sucking the lifeblood from us.
No, not a lot of blood.
That’s why it’s so insidious. It seems so harmless.
It sucks not a lot of energy. But one leech leads to another. And soon . . .
Well, let’s not dwell on the horror.
Instead, just stop saying it.
Stop saying this power-leeching phrase:
“As I said before . . .”
That’s it. And it’s insidiously mundane, isn’t it?
Nondescript. Seemingly harmless.
Don’t Say It! Just Don’t!
I know how this phrase creeps in. It ambushes me at times.
Deep into our presentation, we glance at the screen and we begin to make a point. Then suddenly, we realize with horror that–
We already said it.
Our minds furiously spin . . .
In a flash, our imaginations suppose that the audience is filled with Gotcha! types who are poised to leap to their feet and point accusing fingers at us, shouting “You already said that!”
So we reflexively qualify what we say by telegraphing that, indeed, we said it already: “As I mentioned before–”
“As I said before–”
Or someone else on our team already said it: “As my colleague already mentioned–”
This drags down your presentation with every utterance of this putrid phrase. This putrid phrase, in fact, adds no value whatever, and it detracts significantly from presentation flow.
It’s a distraction.
More Presentation Tips . . . ?
It upends audience attention, sending their minds back to some previous point in the presentation that they missed any way.
Go ahead and say it again. And again. And again.
And again.
Say it in different ways. Say it in the same way.
Hammer home your main points with repetition and emphasis.
And never, ever announce that you’re repeating yourself.
You can become an especially powerful business presenter
With regard to presentations, I deal with two large groups of people, and none of these people seems truly to want to become an especially powerful business presenter.
For sake of descriptive simplicity, let’s call these two groups “Natural Born” and “McTips!”
“Natural Born” and “McTips!” represent two extreme views of what it takes to become a powerful business presenter.
Neither is remotely accurate.
And neither group is what might be called enlightened in these matters. Members of both groups are frustrating and irritating in their own ways.
Here’s why . . .
We often look for folks to excuse us from what, deep down, we know we ought to do, or what we can do. If we look hard enough, we find what we search for, and excuses are extremely easy to find.
Let’s look at these two excuses that hold us back from fulfilling our potential as especially powerful business presenters.
The First View
The first view would have us believe that great speakers are born with some arcane and unfathomable gift, combining talent and natural stage facility. That Bill Clinton sprang from the womb declaiming that he feels our pain. That Malcolm X was simply blessed with eloquence and power. That Ronald Reagan was born orating on lower capital gains taxes.
That Oprah Winfrey began her talk show career in kindergarten.
If the first view holds that great speakers are born with a gift, then quite logically this view leaves the rest of us to strive with middling presentation skills. The plateau of presentation excellence is forever denied us.
Thus, it becomes an excuse for us not to persevere.
Why bother to try?
Why not, instead, hire some of these natural born speaker types to do the heavy presentation lifting? The rest of us can skate along and pretend that we’re not actually lazy . . . or frightened . . . or disinterested . . .
. . . or unambitious.
The Second View
The second view is the opposite of the first.
This “McTips!” perspective would have us believe that delivering effective presentations is a snap. So easy, in fact, that one of my colleagues assured me confidently and with not a little hubris that he could teach his undergraduates “everything they need to know about presenting in 30 minutes.”
He also assured me that “all that other stuff you talk about is B.S.”
Has the presentation landscape eroded so much that what was once taught as a fine skill is now mass-produced in 30-minute quickie sessions of speaking “tips”?
I actually saw a headline on an article that offered 12 Tips to Become a Presentation God!
Have the expectations of the presentation become so unexceptional?
Have our senses become so numb that we must accept the lowest common denominator of presenting, the notion that adequate presentation skills can be served up in McDonald’s-style kid meals . . . “You want to super-size your speaking McTips?”
Perhaps they have, today, but in an earlier time, respect for the powerful business presenter was near-universal.
In the 1800s, public speaking was refined to an almost-art; “elocution” was the new science/art, and departments of elocution and public speaking flourished in universities throughout the land.
In Philadelphia, on Walnut Street in fact, the National School for Elocution and Oratory became a Mecca for would-be stars of the pulpit, the stage, the bar, and the political wars in the 1890s.
On into the first decades of next century, public speech was regarded with respect and a high-skill to be mastered with much study and practice.
The fact is that despite however much we might wish otherwise, today’s PowerPoint high-tech software multi-media offerings cannot change the fundamental truth that it is still you who must deliver the presentation.
So no . . . you cannot learn “everything you need to know about presenting in 30 minutes.”
You cannot become an especially powerful presenter at the fastfood drive-in window, unless you want to ply presenting at the lowest common denominator of mundane slide-readers that populate every business and law firm from New York to Nashville, from Boston to Baton Rouge, from Savannah to San Diego.
Ask yourself . . . if learning to deliver top-notch presentations is so doggoned easy, then why are 9 out of 10 presentations such awful forgettable bore-fests?
The Third View – The Power Zone
There is a third group, and it is destined to remain small.
This group is privy to the truth, and once you learn the truth about presenting, you can never go back to viewing presentations the same way. Consider this pop culture analogy from the 1999 film The Matrix.
In The Matrix, humans live in a world that is not what it seems. In fact, everything they believe about the world is false. Morpheus (Lawrence Fishburn) offers to reveal the truth to Neo (Keanu Reeves) about his existence. Morpheus offers Neo a Blue Pill and a Red Pill. The Blue Pill returns him to his old state of ignorance.
The Red Pill reveals the secret, and once he learns it, Neo cannot return to his old life.
The process of presentation discovery is much like the red-pill/blue-pill choice that Morpheus offers to the young computer hacker Neo . . .
You take the blue pill, the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in Wonderland, and I show you how deep the rabbit hole goes.
Likewise, you can stop reading this article this instant – the blue pill – and return to the righteous and relaxing world of “Natural Born” or “McTips!” Both viewpoints allow the average presenter to remain mired in mediocrity with an excuse that sounds plausible.
An excuse not to become an especially powerful business presenter.
One perspective means you don’t try at all, other means you offer token effort as befits a low-level pedestrian task. So, if you decide to take the Blue Pill, close this site and go your own way. Bon voyage! I wish you a hearty good-luck and Godspeed, and perhaps you will be happier for your choice.
But if you are one of the few who thinks for a moment . . . “Hmm. What if the Professor is right?”
Become a Powerful Business Presenter
You choose to become a powerful business presenter . . . or not
Then you can read on to the next brief paragraph – the red pill – and be forever shorn of the excuse for mediocrity. For the truth is in the Power Zone.
Once there, you’ll never be satisfied with your old presentation life again.
You cannot go back.
That’s the paradox, the Curse of Freedom. It is completely within your power to seize the fruits of great presenting. It’s your choice.
You can launch an auspicious presentation career right now, right this minute. Or you can dismiss this site as yet another fraudulent claim to revealing secrets to you . . . only to have it exposed as a method that requires you to actually do something.
A method that transforms you.
Choose the Red Pill. Step boldy into the Power Zone.
The Power Zone is the province of the privileged few who understand the truth that anyone can become an especially powerful business presenter . . . with the right kind of hard work and the willingness to become a great presenter.
To join this third group requires you to take on a new state of mind.
If you already carry this view, that’s superb. If you don’t . . . you can decide now to adopt it or forever be relegated to the other two groups – believing you’re not good enough to become a powerful business presenter, or believing you already are a powerful business presenter . . . when you’re actually not.
Public presentations – great presentations – require study and practice and preparation and technique. A deep philosophical, academic, and professional history undergirds public speaking. This history informs the very best presenters and their work.
You dismiss it only to your great loss.
No, you need not become a scholar of public speaking. In fact, few people have that deep an interest in the subject and even fewer can claim that kind of knowledge today.
But what you can and should do is this: Open your mind and heart to the possibilities of found treasure.
You actually can become a capable presenter. You can become a great presenter, who delivers especially powerful business presentations.
When you enter the Power Zone, you are both cursed and blessed with knowledge. This knowledge represents two sides of the same coin.
You are cursed with the knowledge that the only limitation you have is you. You are blessed with the knowledge that you can become a good – even great – speaker.
An especially powerful presenter.
Now, you have no other real excuse. It’s totally up to you.
For the ultimate guide to developing your personal brand as an especially powerful business presenter, CLICK HERE.
But wasSteve Jobs really a great presenter? Did he really have secrets that you can use? And can you learn how to be “an insanely great” presenter from this book?
No . . . no . . . and . . .
Well . . . on that last point, you can learn to become a pretty good presenter from this book.
But not from Steve Jobs.
The Extraordinary Jobs
Steve was a visionary and an extraordinary entrepreneur many times over. He grew tremendously since the early days when he thought that his self-absorbed bombast gave him license to insult Microsoft and Bill Gates mercilessly.
He emerged as a celebrity CEO, a man who loved the limelight and whose strong and quirky personality guaranteed him a following among a certain segment of the American populace.
But presenting?
On an absolute scale, Steve was a slightly above-average presenter.
Remove Steve’s high-tech prop that the entire wonk-world was waiting to see, and remove the employee/early adopter audiences that cheered his every eye-twitch, and we are left with a shabbily dressed average sort of fellow given to aimless pacing and whose high-pitched voice grates a bit on the senses with its “ummms” and “ahhhhs.”
Presentation Secrets of Steve Jobs? Just one . . .
You and I know that there is only one reason that Steve Jobs was on that stage and one reason that he has a book purporting to reveal the presentation secrets of Steve Jobs.
It’s not for his presenting skills.
While Jobs himself was not someone whose presenting skills deserve emulation, he is obviously the subject of the book because of his built-in audience, and so we must deal with that.
Dismiss it, in fact. But the book does have a gem.
The gem of the book is the author.
The author of the Jobs book is Carmine Gallo, who is an extremely polished and superb presenter and presentation coach, and he embeds solid presenting nuggets throughout the book. Carmine is, in fact, a much better presenter than Jobs was on his best day. Have a look . . .
But even Carmine is not perfect. He begins by gushing at Jobs’s stature as a presenter that is almost embarrassing in its lavish excess: “Steve Jobs is the most captivating communicator on the world stage . . . He is the world’s greatest corporate storyteller!”
Really? Really?
But . . . well, we’re selling books here, and hype is understandable. I’d probably gush, too, if given a similar opportunity, so let’s give Carmine a pass on this one.
But one great danger that I see from this type of gushing is that we can begin to think of the presenter as hero. And what better hero than the great Steve Jobs?
All of us would like to be the hero of our presentation, wouldn’t we? And we are sorely tempted to put the focus on our product and ourselves.
No. Don’t do it.
Your Audience is the Hero
There is room for only one hero in the presentation, and that hero is not you.
The hero is in the audience, and you are there to help your audience become heroic. As with all presentation instruction, you can ignore or accept what you choose, and this point is no different.
No Presentation Secrets of Steve Jobs
You can try to be the hero. Or, you can focus on your audience and its needs and its desires.
And make your audience members heroes of a sort.
In sum, The Presentation Secrets of Steve Jobs offers a reasonable exposition of presentation methods that can benefit us all, but recognize that these methods have nothing to do with Steve Jobs and they do not help us become “insanely great” presenters.
But there is good news for you on the presentation front. The best news in all of this is, in fact, great news.
With dedication, coachability, and the right method, virtually anyone – and I mean anyone – can become a better business presenter than Steve Jobs.
Don’t enter the World’s Worst PowerPoint Slide Contest
If you think your business presentation slides are bad (they probably are), latch on to the good news that worse slides are out there . . . in fact, this post features the Worst PowerPoint Slide in the World.
But first, your personal slide curse.
Your personal revelation of your own bad PowerPoint slides starts innocently enough . . .
You click the remote and a new slide appears. You cast a wistful look back at the screen.
You pause.
Perhaps you squint as you struggle to understand what’s on the screen. It’s almost unreadable.
Your mind reels at the thought that well, maybe . . . this slide actually is awful and should never have been included.
Take heart!
As bad as your slides are, they likely are not as bad as what lurks in corporate America or in the U.S. government.
New York Times Features the World’s Worst PowerPoint Slide
Your slides likely will never reach the bottom of the pit, the awful standard set by our friends in the U.S. government, who crafted and actually presented a monstrosity of such egregious proportions that the New York Times featured it on its front page in 2010 for no other reason than that it was an awful PowerPoint slide.
When the NYT considers your slide front page news, that is a bad slide.
The slide was actually used in a briefing to the commanding general of U.S. forces in Afghanistan, Stanley McChrystal. It purported to explain U.S. counterinsurgency strategy in Afghanistan, all on one slide.
That slide appears at the end of this post.
If you dare, scroll down to this heinous freak of design concocted in a government laboratory and completely undeserving to be shown in public . . . except on the front page of the New York Times as the exemplar of how depraved PowerPoint evil can be.
Our Bad Slides Usually Involve Numbers
We show numbers, lots of them. And at times we are tempted to believe that the “numbers speak for themselves.”
And so we whip out the tired, useless phrase “As you can see.”
The phrase “As you can see” is so pervasive, so endemic to the modern business presentation that it requires iron will to prevent ourselves from uttering this reflexive phrase-hiccup.
The Worst PowerPoint Makes Us Squint
The bain of “As you can see” is that it is usually accompanied by a vague gesture at a screen upon which is displayed some of the most unreadable nonsense constructed for a slide – usually a financial spreadsheet of tiny, baffling numbers.
Probably cut-and-pasted from a written report and not adjusted at all for visual presentation.
The audience most assuredly cannot see.
In fact, there might be a law of inverse proportion that governs this syndrome – the less the audience can actually “see,” the more often the audience is told that it can see.
And that’s why we reach for the phrase.
Because we can’t “see,” either.
We look back helplessly at our own abstruse PowerPoint slide and realize that it 1) makes no sense, 2) never will make any sense, 3) is so complicated that we should have used four slides to make the point or should have deleted it, and 4) has no chance of contributing at all to our show.
Satanic Spreadsheets
You, the presenter, stare back at the screen, at the phalanx of numbers displayed on your unreadable spreadsheet.
Perhaps you grip the podium with one hand and you airily wave your other hand at the screen with the words . . .
“As you can see—”
And then you call out what seem to be random numbers. Random? Yes, to your audience, the numbers seem random because you have not oriented the audience to your material.
You have not provided the context needed for understanding. No one knows what you’re talking about.
Your classmates watch with glazed eyes. Perhaps one or two people nod.
Your professor sits sphinx-like.
And no one has a clue. You get through it, finally, and you’re relieved. And you hope that you were vague enough that no one can even think about asking a question.
“As you can see” Syndrome is the tacit agreement between audience and presenter that neither of us really knows or cares what’s on the slide. And we promise each other that there won’t be any further investigation into whatever this abominable slide holds.
It gives rise to the worst PowerPoint slides imaginable, because the incentive to excellence is removed.
This can’t be good. Not for the audience, not for anyone.
All of this sounds heinous, I know. And probably too familiar for comfort.
If the best thing you can say about your slides is that they’re not the worst PowerPoint in the world, then maybe it’s time to upgrade your expectations.
You can beat “As you can see” Syndrome with a few simple techniques that we be discuss in days to come.
Develop PowerPoint Slide Skills for Especially Powerful Impact and Personal Competitive Advantage
Microsoft’s PowerPoint multimedia software has gotten a bum rap, and this unfair reputation springs from the thousands of ugly presentations given every day from folks who have not developed their PowerPoint slide skills.
And yet, PowerPoint is a brilliant tool.
Yes, brilliant.
But just as any tool – say, a hammer or saw – can contribute to the construction of a masterpiece . . . or a monstrosity, PowerPoint can contribute to the creation of an especially powerful presentation.
Or it becomes the weapon of choice to inflict yet another heinous public-speaking crime on a numbed audience.
PowerPoint Slide Skills a Necessity
PowerPoint isn’t the problem. Clueless presenters are the problem.
So just how do you use PowerPoint?
You can start by consulting any of several PowerPoint experts who earn their living sharpening their own skills and helping others to hone theirs.
Folks such as Nancy Duarte, who has elevated PowerPoint design to a fine art. You can subscribe to her newsletter here by scrolling to the page bottom and signing up. You can also enjoy her supremely interesting blog here. She’s done all the heavy lifting already – now you can take advantage of it to develop your PowerPoint slide skills.
Garr Reynolds is another giant of the PowerPoint kingdom, and his concepts approach high art without being too artsy.
Meanwhile, if you want immediate help to develop not only your PowerPoint slide skills, but also your technique of working with your presentation projection, do have a look at my own short video on how to work with PowerPoint.
It’s enough to get you started and, I hope, whet your appetite for more instruction.
For once you create those marvelous slides inspired by Nancy and Garr . . . you then must use them properly in a ballet of visual performance art called a business presentation.
There are no presentation magic pills to rescue a lame effort
For your presentation, do you ever throw together a half-dozen makeshift slides cut-and-pasted from a written report, larded with bullet points, and then rely on some sort of last-minute presentation magic to save your butt?
Wishful thinking that maybe PowerPoint pyrotechnics can save the day?
Perhaps the bravado of phony self-confidence to get you through a painful experience?
Guilty as charged?
Most of us are at one point or another.
And the results can be heinous.
Software “Presentation Magic” Cannot Save You
The results are slides that confuse the audience rather than reinforce your major points delivered in awful, mind-numbing presentations.
“Making bad slides is easy, and it will negatively impact your career. Invest in your slides, but invest in your own visual skills as well. The alternative is to inadvertently commit career suicide.”
Absent specific instruction, you might believe that it’s acceptable to simply cut and paste graphics from a written report directly onto a slide.
Why not?
Who says this is a bad idea?
After all, the professor wants to see certain material on the screen, doesn’t he? Well, I’m giving it to him. ’nuff said.
This is awful for the reason that the slide presentation sometimes doubles for a written document. This is an incredibly stupid mistake.
One . . . or the Other
Your PowerPoint can serve admirably one or the other purpose . . . but not both.
You Create the Presentation Magic . . . not the Software
The presentation – or show – is an entirely different form of communication than the written document that is meant to be reviewed later.
Never let one serve in place of the other.
Prepare two separate documents if necessary, one to serve as your detailed written document, the other to serve as the basis for your show.
When you commit the error of letting a written document serve as your public presentation, here’s what usually happens: You project a parade of abominably cluttered slides onto the screen while you talk about them. Usually prefacing what you say with the words “As you can see . . . .” [this is called As You Can See Syndrome, or AYCSS]
The results are quite often poor, if not downright ugly and embarassing for all concerned.
It’s a roadmap to disaster.
But the insidious part is that no one tells you the results are disastrous.
And they do not tell you what makes your creation an abomination.
So let’s discuss the types of issues you face in assembling your show.
No Presentation Magic in Your Slide Deck
Start by recognizing that no slide show can substitute for a lack of ideas, a lack of preparation, and lack of a story to tell.
Nifty slides cannot save you.
PowerPoint cannot rescue you with its colors, sound, and animation. This is akin to Hollywood filmmakers who spend millions of dollars on dazzling special effects and neglect the story. They bomb miserably.
On the other hand, you can craft a winning film with a superb story and drama, but with minimal special effects: See the classic Henry Fonda film 12 Angry Men. You cannot craft a winning film with no story.
Or a bad story populated with people you don’t care about.
Forget the notion that slides are somehow the backbone of your show. They have no special properties. They can merely enhance your show . . . and they can most assuredly help destroy it.
“Slides are not a magic pill; they won’t organize a disorganized presentation; they won’t give a point to a presentation that doesn’t really have one; and they never make a convincing presentation on their own.”
So is there a reasonably easy way to get around this busy-slide pathology?
Of course, and this leads us to one solution to the problem of overburdened slides. Remember three words when you prepare your slides, and you can eliminate 90 percent of your PowerPoint pathologies.
Orient . . . Eliminate . . . Emphasize
First, orient your audience to the overall financial context.
If you take information from a balance sheet or want to display company profit growth for a period of years, then display the sheet in its entirety to orient the audience. Tell the audience they view a balance sheet.
Walk to the screen and point to the information categories. Say “Here we have this number” . . . “Here we have this category.”
Great Speakers like Malcolm X bring their own Presentation Magic to performance . . . and so should you
Second, eliminate everything on the screen that you do not talk about. If you do not refer to it, it should not appear on your slide. Strip the visual down to the basic numbers and categories you use to make your point.
Third, emphasize the important points by increasing the size, coloring them, or bolding the numbers. You can illustrate the meaning of the numbers by utilizing a chart or graph.
When you orient, eliminate, and emphasize, you polish your meaning to a high sheen, and you are on your way to an especially powerful presentation. You dump distractors that leech the strength and from your presentation.
And, consequently, by substraction you infuse your presentation with power. You provide your own presentation magic that arises from your skill as an especially powerful presenter.
This is even more the case with a team presentation with more moving parts and variables in the mix.
But you know how to practice your presentation already, right? Practice is easy. You just . . .
. . . do it. Right?
Powerful Presentation Practice Yields . . . What?
First, not everyone practices. Some practice not at all.
Those who do practice, usually don’t practice nearly enough.
Given how important the business presentation is to your corporate success, this creates an incredible career opportunity for you, should you take the presentation enterprise seriously . . . an engage in the right kind of presentation practice.
Here is why . . .
The good effects of the right kind of diligent rehearsal is twofold: 1) your material is delivered in a logical, cogent fashion without stumble, and 2) the practice imbues you and your team with confidence so that stage fright is reduced to a minimum and your team’s credibility is enhanced.
Practice strips away the symptoms of stage fright as you concentrate on your message and its delivery rather than extraneous audience reaction to your appearance.
But you only reap the benefits of practice if your practice makes sense.
This means that you practice the way you perform and avoid the two biggest rehearsal mistakes.
Mistake #1
First, do not start your presentation repeatedly, as almost all of us have done at points in our presentation careers.
Something in our psyche seems to urge us to “start over” when we make a mistake. When we stumble, we want a “do-over” so that we can put together a perfect rehearsal from start to finish.
But when we do this, what we are actually practicing is the “starting over.” We become experts at “starting over” when we make a mistake.
Presentation Practice for added power and impact
But is that what we plan to do when we err in our actual presentation? Start over?
No, of course not.
But if we have practiced that way, what will we do when we do stumble during our performance? We won’t know what to do or how to handle the situation, since we have never practiced fighting through an error and continuing on.
We have practiced only one thing – starting over.
Instead of starting over when you err, practice the gliding over of “errors,” never calling attention to them. Practice recovering from your error and minimizing it. Perform according to the principle that regardless of what happens, you planned it.
Mistake #2
The second big mistake is practicing in front of a mirror.
Don’t practice in front of a mirror unless you plan to deliver your talk to a mirror. It’s plain creepy to watch yourself in the mirror while talking for an extended period of time.
There is nothing to be gained by rehearsing one way . . . only to do something entirely different for the actual event.
Of course, you will observe yourself in the mirror as you adjust your stance and appearance to ensure that what you feel is what people see while you present on all occasions. But you do not practice your finished talk in front of a mirror.
Why would you want to grow accustomed to looking at yourself present, only to be faced with an entirely different situation for the actual presentation? That’s just bizarre.
Instead, conduct your presentation practice in front of your roommate . . . or go to the classroom where you’re scheduled to present . . . in short, create as much of the real situation as possible.
To ensure an especially powerful presentation every time, practice hard and repeatedly . . . but practice the right way.
The Zombies of Bad Presentation Tips Never Die . . . That’s why they’re called Zombies
When Armageddon finally comes, cockroaches and the zombies of bad presentation tips will be the only survivors.
I say this because I’ve learned that the zombies of bad presentation tips never die.
No, we can’t eradicate bad presentation tips completely. These zombies are impervious to every remedy known to 21st century civilization.
But let’s give it a shot anyway.
Bad Presentation Tips
The process of becoming a great presenter is not so much prompting students to do something the right way. It’s getting you – yes, you – to stop doing things the wrong way.
And this is much tougher than you might expect, given that 1) people generally dislike the idea of change, and 2) most folks tend to think that the presentation is something that exists outside of themselves . . . in a PowerPoint software package, or in notecards, or in a book.
The notion that the presenter actually has to change his behavior is not welcome news.
Accordingly, I instruct students to stop what they’re doing now as a result of bad habits and bad presentation tips.
Just stop.
And I do not entertain or engage in lengthy discussions of various opinions of what constitutes good presenting or how people want leeway granted for their own tics or habits. All it takes is one film session to disabuse people of the notion that a bad habit is somehow acceptable.
Once they stop engaging in bad habits and misconceptions about presenting, they become de facto reasonably competent presenters.
That’s right.
Just stop the bad habits, and what remains can be downright decent.
But Bad Habits Die Hard
Bad habits can be perpetuated by exuberantly following bad advice.
The problem is recognizing what constitutes bad presentation tips.
This isn’t easy, because much bad advice paradoxically masquerades as good advice, and lots of these bad presentation tips zombies stalk the land.
Here are some of the most common examples of awful, vague, or incomplete presentation advice you invariably hear during your business school career from the most well-meaning of folks.
ZOMBIE #1 “Don’t Put your hand in your pocket . . . it looks ‘unprofessional.’”
This is absurd and carries the stink of oral tradition about it. From presidents to preachers, the hand in the pocket – if done properly – conveys assurance and confidence.
For many speakers, it also removes one hand from the equation as an unnecessary distractor. Put that left hand in the pocket and you keep it out of trouble.
No more strange finger-play. No more tugging at your fingers. No more twisting and handwringing.
It leaves your right hand free to gesture, and those gestures themselves appear more decisive.
ZOMBIE #2 “Make eye contact.”
This advice is insidious in that it actually carries a large kernel of truth. It sounds reasonable. But it doesn’t tell you how to do it.
And, yes, there is such a thing as bad eye contact.
Too long, and you come across as creepy. Too short, and you come across as untrustworthy.
Make eye contact with people in your audience long enough to ascertain eye color, then move on.
ZOMBIE #3 “Move around when you talk”
This gem was given to me by a student, passed on from one of his other professors. It’s one of the worst of bad presentation tips. This advice suggests that you wander aimlessly about the stage in hopes that it will improve your presentation in some unspecified way.
Or it might mean to roll your shoulders as you step side-to-side. It actually can mean most anything, and as such, it is terrible advice.
In this case the bad advice is worse than no advice at all. See my previous posts on movement for ideas on how to incorporate movement into your talk . . . and how to incorporate pauses for effect.
ZOMBIE #4 “Just the facts.”
Really? Which facts are those?
What does it mean, “Just the facts?”
Folks believe that this phrase makes them appear no-nonsense and hard-core. But a more pompous and simultaneously meaningless phrase has yet to be devised. Again, it means nothing and is arrogance masquerading as directness.
“Facts” must be selected in some way, and context must be provided to give them meaning. “Facts” must be analyzed to produce alternatives and to render a conclusion. This is a euphemism for “I don’t like what you’re saying . . . tell me what I want to hear.”
ZOMBIE #5 “The numbers tell the story.”
This is a favorite of finance folks, who seem to believe that the ironclad rules of presentations do not apply to them.
“ We’re special,” finance majors like to say. “We don’t deal with all of that soft storytelling; we deal in hard numbers.”
There is so much wrong with this, it is difficult to locate a reasonable starting-point.
Not only do numbers, alone, tell no story at all . . . if the numbers were conceivably capable of telling a story, it would be a woefully incomplete story, providing a distorted picture of reality. Numbers provide just one piece of the analytical puzzle, important to be sure, but not sufficient by themselves.
Moreover, the business presenter who elects to serve the god of numbers sacrifices the power and persuasiveness that go with a host of other presenting techniques. Underlying this myth is the notion that you “can’t argue with numbers.”
You certainly can argue with numbers, and you can bring in a host of analysis that changes completely what those numbers actually mean.
ZOMBIE #6“You have too many slides.”
How do you know I have “too many” slides?
Say what? Oh, you counted them, did you?
I assure you that you don’t know.
You can conclude nothing about my presentation by looking only at the number of slides in it.
You will hear this chestnut from folks who believe that the number of slides you use somehow dictates length of a presentation.
Absurd on its face, people who use this believe that every slide will be shown a fixed amount of time. They likely do some sort of calculation in their heads, dividing the time available by the number of slides to yield a number they believe indicates there are “too many” slides.
This is because they usually deal with folks unschooled in Business School Presentations methods.
If you follow the presentation principles laid down here in Business School Presentations, you will learn the glorious method of crafting frugal slides that pulse with power, surge with energy . . . slides that people remember, because they are smartly crafted and snap crisply, and they carry your audience along for an exciting and joyous ride.
And no one can tell anything about this by the number of slides in your presentation.
Bad Presentation Tips Zombies – these are just some that will come after you.
It’s probably not a good idea to argue with folks who give this sort of advice. What’s the use? Just ignore it and replace it in your own work with enduring and especially powerful presenting principles.
You can’t eliminate the zombies, but you can outrun them and outfox them.
And continue your upward trajectory toward becoming a superior business presenter. And on that upbeat note, I leave you with several positive tips from the creator of the Prezi presentation package. Peter Arvai, Prezi founder and CEO, offers sages advice here.
If you are interested in dispensing with all of these bad presentation tips and, instead, learning powerful presentation skills, I suggest you consult The Complete Guide to Business School Presenting.
Sensory Involvement is a powerful technique that imbues your presentation with sensuality.
You engage the senses of your listeners so that they experience the story rather than simply hear it. Where possible, incorporate all five senses in your story.
The more senses you involve, the better.
Presentation Storytelling Engages your Audience
This sensory technique positions the listener inside the presentation. You invite the audience into the story.
The audience becomes part of the action.
This is a fiction-writing technique. It draws the reader in by stimulating the audience’s sight, smell, hearing, touch, and taste.
When you use color, aromas, tastes, and powerful sound and visual imagery, your presentation evokes the emotions of your listeners. It captures their interest. You convey a more compelling message.
Presentation storytelling delivers a call to action more powerful than if you recite only facts and figures.
Gain the Presentation Storytelling Advantage
This use of multiple sensory stimulation affects your listeners in ways that they are really unaware of. They find themselves deep inside your presentation and feeling what you want them to feel.
And they respond to your message.
Engage as many senses as you can. The audience should hear your presentation. They should taste it. They should see it. They should feel it.
Smell it.
They become part of your presentation storytelling tool kit.
The sensory technique paints a mind picture. It makes that picture vivid and powerful.
It’s powerful because it pulls the listener inside the story as a living, breathing, vicarious participant.
You position the listener inside the story rather than allowing the listener to loiter outside the story as a bystander.
Engage the Senses!
Use imagery. Stimulate the senses!
The 1999 supernatural film The Sixth Sense illustrate the point.
In this film, the Bruce Willis character – in spirit form – moves about within the story among living people. He can observe and, in a sense, participate in the various dramas around him. Think of Bruce Willis as the audience of your presentation.
Willis feels and senses the angst, joy, anger, sadness of those around him. Yet he is not an actual participant.
Bruce Willis is as close as he can be to the dramas around him without actually being there. Likewise, your story’s vivid sensory stimulation engages your audience in a powerful way.
Position your audience inside the presentation story.
You can place them inside the presentation story, much as the Bruce Willis character is placed into the mini-dramas that unfold around him.
Employ Powerful Writing Techniques
Dean Koontz is a master thriller writer, and he advocates involving as many of the reader’s senses as possible in a story. Koontz does this himself in his own taut novels.
Koontz engages smells, colors, sounds to enliven his descriptions. He does this in unexpected ways. Not only does Koontz involve all the senses, he combines surprising descriptions, crossing from one sense to another.
For example, he describes the glow of a bulb as a “sour yellow light.”
Koontz combines taste with color to evoke a startling and memorable image.
This is the same technique that serves powerful presenters well. It can serve you well and you should do this.
For your own stories, remember to involve all of your listeners’ senses if you can – taste, touch, smell, sight, hearing – and you cannot fail to engage your audience.
Presentation Storytelling is a Powerful Tool
Storytelling has become a powerful tool in 21st century management, and it would do you well to embrace, understand, and utilize that power to advance your personal competitive advantage.
Presentation storytelling is so powerful, in fact, that anti-business folks don’t want you to use it.
Anti-business folks are angered that we in the corporate world have discovered and have begun to harness business presentation storytelling to the ends of wealth creation. See Christian Salmon’s frantic Storytelling: Bewitching the Modern Mind, which claims that business has “hijacked” the creative imagination.
In actuality, storytelling is now no longer the province of the anti-business worldview. Can there exist any better reason to embrace storytelling for your own business ends?
To get to the point where we can improve the speaking voice, we first must accept that there’s nothing sacred, sacrosanct, or “natural” about your speaking voice.
Your voice is the product of many years of development from numerous influences. Many of these influences might well have been unconscious acquisitions. Perhaps adaptations of which you may be unaware.
Why not evaluate your voice today?
Film your presentation, then watch with critical eye and listen with critical ear. Listen with an ear to how to improve your presentation voice.
See if it gets the presentation job done for you. Does it?
Does your voice crack? Does it whine?
Do you perform a Kim Kardashian vocal fry at the end of every sentence? Does it tic up at the end of every sentence with a bad case of uptalk, turning your sentences all into questions?
Do you lard your conversation with nonsensical filler such as “whatever,” “umm,” “totally,” and “like” hundreds of times per day?
It’s time to recognize that your voice is not a sacred artifact, nor is it some precious extension of your very being. It’s an instrument with which you communicate.
You can sharpen your communication skills by improving your voice.
Simply thinking of your voice in this way will improve its quality. Working to improve it will improve its quality dramatically and build your voice into an especially powerful skill for personal competitive advantage.
Let’s consider here several things you can do to improve your voice.
All of us sabotage our own presentations more often than we imagine. And we do it through self-defeating behaviors.
These self-defeating behaviors come in many forms, but negative self-talk is one of the chief culprits.
We tell ourselves repeatedly that we’ll fail.
We envision humiliation, embarrassment. Complete meltdown.
We Set Ourselves Up for Bad Presentations
Negative self-talk begins with the most ubiquitous cliche in business school. That cliche is “I hate presentations.” This culprit leads to awful presentations. It undermines everything we strive for in business school presentations.
How can we build a positive presentation on such a spongy foundation?
Negative self-talk translates into bodily reactions of nervousness, trembling, faltering voice. Shaking knees, sweating, and flushing.
Moreover, our sour and weak attitude can infect our teammates if it happens to be a group presentation. The negative spiral down means things get worse before they get better. If at all.
There is, in fact, no greater guarantee of failure. How could anyone succeed at anything with this type of negativity?
Do You Think Like a World-Class Athlete?
The world’s elite athletes train the mind as well as the body. Visualizing success is a technique they use to prepare for competition. I work occasionally with sports psychologists and mental toughness coaches who train athletes in visualization techniques.
All of these experts agree that the mind-body connection – healthy or unhealthy – impacts performance tremendously.
Let’s leave aside the specific techniques and the psychological underpinnings of it that go back more than a century. Let’s just say now that we must at least rid ourselves of the negative self-talk. Let’s give ourselves a fighting chance of success at delivering a good presentation. Even a great presentation.
Stop Negative Self-talk and Fix that Bad Presentation
So why do we talk ourselves down into the morass of self-defeat? It could be the widespread ignorance of how to deliver a powerful presentation. This ignorance means uncertainty of performance.
This ignorance and uncertainty breed fear.
It’s this fear of the unknown that drives up anxiety and can result in a bad presentation. So the key to reducing that anxiety is uncertainty reduction.
And we can reduce uncertainty through preparation and by controlling the variables within our power.
Preparation is the second of the Three Ps of Speaking Technique – Principles, Preparation, Practice. Can we foresee everything that might go wrong? No, of course not, and we don’t even want to . . . instead, we plan everything that will go right, and we focus on that.
We rely on our own adaptability and confidence to field the remaining unexpected 10 percent.
Envision Your Triumph
No one can win by constantly visualizing failure.
Envision this, instead – you deliver a tight, first-rate presentation that hits all the right notes. It weaves a story that grips your audience, that keeps the audience rapt. And it ends in a major ovation and a satisfying feeling of a job well-done.
When we take the stage, we focus. We charge forward boldly, presenting with masterful aplomb and professionalism. With this kind of psychological commitment, we squeeze out the doubts and anxiety. We wring them dry from our psychic fabric.
We eliminate the bad presentation.
The right kind of preparation allows us to deal with unknowns that nettle us.
Positive self-talk is essential to preparing an especially powerful presentation and developing personal competitive advantage.
You want solid information and best practices, not generic “presentation principles” and certainly not “communication theory.”
You want to know what works and why. You want to know right from wrong, good from bad.
You want to know what is just opinion and what, if anything, is carved in stone.
Think of this place as your Official College Guide to Business School Presentations, because here you’ll find answers here to the most basic questions.
What is this beast – the business presentation?
How do I stand? Where do I stand?
What do I say? How do I say it?
How do I reduce 20 pages of analysis into a four-minute spiel that makes sense and that “gets it all in?”
How should we assemble a group presentation? How do we orchestrate it?Where do I begin, and how?
How do I end my talk?
What should I do with my hands?
How do I conquer nervousness once and for all?
How can I tell “what the professor wants?”
How do I translate complicated material, such as a spreadsheet, to a PowerPoint slide so that it communicates instead of bores?
Business School Presenting answers every one of these questions. It answers many more that you haven’t even thought of yet.
You may not like the answers. You may disagree with the answers.
Fair enough. Let a thousand presentation flowers bloom across the land. Listen, consider, pick and choose your pleasure.
Or not.
2,500 Years of How to Give a Business Presentation
But you should know that I offer here the distillation of 2,500 years of public speaking and presentation secrets. Secrets developed by masters of oratory and public speaking and refined in the forge of experience.
They all have drawn upon the eternal verities of presenting. In turn, they have each contributed their own techniques to the body of wisdom.
You find those verities here.
In our modern-day world of multimedia extravaganzas, who needs business presentations? It’s all done for us now, right?
The presentation is contained in the software, and all you need do is plug in the specifics. Right?
With all of these high-tech prosthetic presentation devices, anyone can be a presentation hero!
Right? Right?
You may wish it were true, but of course you know that this is wrong. Horribly wrong.
You’ve seen enough endless, boring, unintelligible slide-a-thons to know that something is amiss here.
Why are 99 percent of business presentations so boring? Why is it that only 1 percent of corporate America seems to know how to give a business presentation in a coherent, interesting manner?
Why Bother with How to Give a Business Presentation?
If you discovered that there was one thing – business presentation skill – you could learn that would immeasurably increase your chances of getting a great job after graduation, wouldn’t that be great?
What would you think of that? Too good to be true?
And what if you discovered that this skill is something that you can develop to an especially powerful level in just a handful of weeks?
What would that be worth to you? Would it be worth the price of a book to get you started?
Think of it – business presentation skills you can learn in 4-5 weeks that can provide you lasting competitive advantage through the rest of your working life. A skill that few people take seriously.
A skill in high demand by America’s corporations.
Companies haven’t nearly enough personnel who can communicate effectively. Nor logically. Comfortably. Clearly. Cogently. This is why corporate recruiters rate business presentation skills more important in candidates than any other trait or skill.
Capable business presenting is a high-demand skill.
This is the Secret Skill You Knew They Kept from You
The Secret Skill – the edge – you’ve always sought.
You, as a business student or young executive, gain personal competitive advantagevis-à-vis your peers, just by taking presenting seriously. You gain advantage by embracing the notion that you should and can become an effective and capable business presenter.
In other words, if you actually devote yourself to the task of becoming a superb speaker and learn how to give a business presentation with competence and confidence, you lift yourself into that rarefied 1 percent of business students and executives.
And the task is not as difficult as you imagine. But it isn’t easy, either.
You actually have to change the way you do things. This can be tough.
Most of us want solutions outside of ourselves. The availability of an incredible variety of software has inculcated in us a tendency to accept the way we are and to find solutions outside ourselves. Off the shelf. In a box.
This doesn’t work. Not at all. You cannot find the secret to great business presenting outside of yourself.
You already carry it with you.
But you will have to change.
But Great Business Presentation Skills Mean Change . . .
This is about transformation.
Transforming the way we think, the way we view the world. Transforming the lens through which we peer at others, the lens through which we see ourselves. Transforming you so that you know how to give a business presentation and deliver power and impact every time.
And it begins with your uniqueness. Each of us applies our own uniqueness to the tools and verities that make for great business presentations. We mark our presentations with our own personal brand.
Your realization of uniqueness and belief in it is essential to your development as a powerful business presenter.
Yes, you are unique, and in the quest for business presentation excellence, you discover the power of your uniqueness. You strip away the layers of modern mummification. You chip away at those crusty barnacles that have formed over the years without your even realizing it.
It’s time to express that unique power in ways that support you in whatever you want to do.
Explore the truths here on how to give a business presentation and begin today to energize your personal brand and gain personal competitive advantage.
Always speak to the people in your audience in ways that move them – respect your audience.
Speak to your listeners in their language and to their needs.
Always offer them your respect and your heart.
Does this seem obvious?
“Respect Your Audience” Seems Easy
That’s the paradox.
We often forget that our audience is the other player in our two-player cooperative game. We mistakenly contrive our message in our terms.
We say what we want to say and what we think our audience needs to hear. We speak in language that gives us comfort.
Then we blame the audience if they don’t “get it.”
Too many speakers across the spectrum of abilities never consider the needs of their audience or why folks have gathered to hear the message. Often, a business presenter may offer an off-the-shelf message that isn’t even remotely tailored to the needs of the folks gathered to hear it. She ignores the precept respect your audience.
The Curse of Hubris
Paradoxically, this occurs often when men and women of power and accomplishment address large groups of employees or conference attendees. Infused with the power and sometime hubris that comes with great success, they believe this success translates into powerful presenting.
But it doesn’t.
They don’t prepare. They offer standard tropes. They rattle off cliches. They pull out blandishments. And they receive ovations, because those assembled believe that, well, this fellow is successful, so he must know what he’s doing.
What he says and the way he says it, whatever it was, becomes gospel.
But the presentation emperor has no clothes. He does not follow the precept of respect your audience.
Contempt? Close to It
What we actually witness from presenters of this type is a form of contempt. Presenters from 16 to 60 offer this up too often. The lack of preparation by speakers disregards the audience. It shows contempt for the time of people gathered to listen.
For instance, last year a successful young entrepreneur spoke to our assembled students about his own accomplishments in crafting a business plan for his unique idea and then pitching that idea to venture capitalists. His idea was tremendously successful and, as I understood him, he sold it for millions.
Now, he stood in front of our students wearing a ragged outfit of jeans and flannel shirt and sipping coffee from a styrofoam cup. He was ill-prepared to speak and offered-up toss-off lines.
What was his sage advice to our budding entrepreneurs for their own presentations?
You Call That Good Advice?
“Make really good slides.”
That was it.
Just a few moments’ thought makes clear how pedestrian this is. What does it truly mean? You need a millionaire entrepreneur to tell you this?
“Really good slides” means nothing and promises even less. Did this fellow follow the respect your audience mantra? I think not.
I guarantee that this youngster did not appear in his own presentations wearing his “cool slob” outfit. Likely as not, he developed a great idea, defined it sharply, and practiced many times.
It was presented knowledgeably by well-dressed entrepreneurs, and this is what won the day. And this is the lesson that our young presenters should internalize, not toss-offs from a character just dropping by.
So many of the dull and emotionless automatons we listen to could be powerful communicators if they shed their hard defensive carapaces and accepted that there is much to be learned. Speak to your listeners as fellow hopeful human beings in their own language of desires, ambition, fears, and anticipation.
We gain by following the respect your audience mantra.
Conversely, we all can learn from the people we meet and the speakers we listen to, even the bad ones.
Even Skywalker doesn’t give a laser pointer presentation
Your remote control clicker that advances your slides can have other features allegedly designed to “enhance” your presentation.
The chief culprit among these enhancements is a horrid little device called – the Laser Pointer.
Even the best of us occasionally thumb that laser pointer self-destruct button built into most remote control clickers.
That’s right . . . self-destruct button.
No Laser Pointer Presentation!
But you want to deliver a Laser Pointer Presentation!
You’ve waited your entire life for the chance to legitimately use that laser pointer!
Haven’t you?
You’ve pictured yourself be-suited and commanding the room . . . standing back, perhaps with a jaunty posture, as you sweep the screen behind you with the little bobbing speck of red light. The meekest among us is invested with bombast and hauteur by even the most inexpensive laser pointer.
The laser pointer is 21st century overkill technology. It distances you from your presentation message at the exact moment you should meld yourself with it.
How so?
If something is so crucially important on your slideshow – perhaps a graph or a series of numbers – that you must direct audience attention to it, then step into the presentation.
Step into the presentation so that you, in essence, become the animation that highlights your points of emphasis. Don’t divide audience attention between you, the data on the screen, and a nervously darting red speck.
Instead, concentrate your audience focus on your major points, touching the screen, guiding us to the facts and figures you want us to internalize. It’s a cave painting, so run your hands over the cave wall. Show us what you want us to see with your hand.
Now, I issue a caveat here.
If the screen behind you is so high that you cannot reach it, then you might be justified in using the pointer.
But probably not.
Instead, if you want to highlight or draw attention to your points of emphasis, then utilize the highlighting animation available on most multimedia platforms.
If you’re uncertain what I mean by this, have a look at this brief video:
Nothing is more gratuitous in modern business presenting than the laser pointer. And few things more irritating than the laser pointer presentation.
Rid yourself of this awful affectation today.
Pledge never to deliver another laser pointer presentation in your business life.
Cultivate a Powerful Image for Personal Competitive Advantage
Let’s move from the realm of what you do and say in front of your business presentation audience to how you appear to your audience . . . an important source of personal competitive advantage.
Your appearance can cultivate this advantage. So right now let’s dismiss the notion that “it doesn’t matter what I look like . . . it’s the message that counts.”
This is so wrong-headed and juvenile that you can turn this to immediate advantage. You can adopt the exact opposite perspective right now and steal a march on the competition. Most folks your age won’t go that route, particularly those stuck in liberal arts.
It’s much more dramatic to deliver a mythic blow for “individuality” than to conform to society’s diktats, eh?
Take the Smart Fork
Well, let those folks strike their blows while you spiff yourself up for your presentations. Present a superior appearance in both public and private job interviews to gain a personal competitive advantage.
Here is the upshot. Presentation appearance matters a great deal. It’s up to us to dress and groom appropriate to the occasion and appropriate to our personal brand and to the message we want to send.
“Slob cool” may fly in college – and I stress may. But it garners only contempt outside the friendly confines of the local student activities center and fraternity house.
Is that “fair?”
It’s fair for Personal Competitive Advantage
It certainly is fair! You may simply not like it. It may clang upon your youthful sensibilities.
But here’s the deal . . . You’re on display in front of a group of buyers. They want to know if your message is credible. Your appearance conveys cues to your audience. It can convey one of two chief messages, with little wiggle room between them.
First, your appearance telegraphs to your audience that you are: Sharp, focused, detailed, careful, bold, competent, prudent, innovative, loyal, energetic . . .
Or . . .
Your appearance telegraphs to your audience that you are: Slow, sloppy, careless, inefficient, incompetent, weak, mercenary, stupid.
Moreover, you may never know when you are actually auditioning for your next job. So it pays to burnish your personal brand all the time to achieve the much-coveted personal competitive advantage.
That presentation you decided to “wing” with half-baked preparation and delivered in a wrinkled suit was awful. It might have held in the audience a human resource professional recommended to you by a friend. But you blew the deal. Without even knowing it.
Think.
Don’t Eliminate Yourself from Contention
How many powerful people mentally cross you off their list because of your haphazard appearance? How many opportunities pass you by? How many great connections do you forfeit?
Granted, it’s up to your discretion to dress in the first wrinkled shirt you pull from the laundry basket. But recognize that you may be paying a price without even knowing it.
Your appearance on the stage contributes or detracts from your message. So, as a general rule, you should dress one half-step above the audience to convey a seriousness of purpose.
For instance, if the audience is dressed in business casual (sports coat and tie), you dress in a suit. Simple.
Personal appearance overlaps into the area of personal branding, which is beyond the scope of this space, but two books I recommend to aid you in your quest for appearance enhancement are You, Inc. and The Brand Called You.
Both of these books are worth the price. They contain the right kind of advice to propel you into delivering Powerful Presentations enhanced by a superb professional appearance.
Our profession contrives business jargon and then clutches it to its breast.
It’s useful.
Especially as shorthand for keen concepts well-understood.
But the more Machiavellian among us sometimes enshrine it as a code for entry into a priesthood of the knowledgeable.
And so we have the conundrum – one man’s obfuscation is another man’s sharply drawn argument, both using “jargon.”
Who with compassion would strip a man of his outlet for facile expression, the utility of shorthand “jargon,” simply because there exist unscrupulous cads who abuse the privilege of a profession’s lexicon?
Business Jargon Struggles for Hearts and Minds?
The struggle is for clear and original expression against the encroachment of weasel-words. The struggle is for meaningful distinctions between useful locutions and the vulgarity of “jargon.”
So it’s a struggle, yes, but it’s also an internal struggle.
I’m torn, because it is my bane to be charged with teaching the lexicon, the “jargon” to vulnerable young minds. Minds to which business jargon sounds fresh and innovative, when it’s actually already stale and reified.
It’s an axiom that once something makes it into a textbook, it likely is already outdated.
But business jargon does perform valuable service. If used judiciously and properly and with clear intent to the purpose for which it was created.
If it’s wielded not to obfuscate.
If it’s wielded not to mind-taser the listener into a kind of numb dumbness.
For those of us in the profession that is home to our jargon, it serves as shorthand for many thoughts already thought, not simply a comfortable refuge. Shorthand for many debates already concluded. Many theories already expressed. Many systems already in place.
In fact, a deep vein of rich discussion lurks beneath the glib façade of most of our jargon.
And thus business jargon presents us with a dilemma – if it were not useful, it would not exist. And anything that is useful can be misused.
It should come with a warning label.
A Business Jargon Warning Label?
I provide such a warning label. But only half-heartedly.
Half-heartedly, because it is my first obligation to ensure that my charges remember the “jargon” that I serve up to them. They must imbibe deeply and, at some point during a seemingly interminable semester, they must regurgitate the jargon.
They must drink deeply from the cup of “competitive advantage.”
They must feast heartily at the table of “core competency” and ladle large portions of “market failure” and “pioneering costs” along with a light sprinkling of what some might consider the oxymoronic garnish of “business ethics.”
More insidious than the standard business jargon is the phalanx of “new” program buzzwords that march our way in endless columns, recycling ideas of old . . . and then recycling them yet again.
For those of us who bathe regularly in the sea of “competitive advantage” and “market saturation” and “pioneering costs” and “core competencies,” we cannot exercise the luxury of contempt.
Instead, we must labor as any wordsmith must labor. We must not ban the hammer because some use it to bash their thumb instead of the nail.
Just as any writer seeks and secures precision in language, the business writer must labor likewise. Constant vigilance is our only guarantor against the debasing of the language.
This is true in business and in academia as it is true in the high-minded world of the literati.
High-minded? It might be also useful to exercise constant vigilance that high-mindedness does not become high-handedness.
Humility and the hunger for clarity.
Uncommon qualities in the business and academic worlds? Perhaps, but surely they should be considered corollary to the jargon that seems pervasive and inescapable and that nettles us so naughtily.
But enough! Cast all of this aside and consult The Complete Guide to Business School Presenting for a jargon-free entre into the high priesthood of the finest business presenters in the corporate world!
I helped to judge a series of business presentations in a business case competition earlier this week, and I offer here several observations.
The case in question involved financial analysis and required a recommended course of action.
In terms of presentation substance, I find these types of finance-based competitions of high caliber, with fine-grained and sophisticated analysis.
And I expect it . . . these are top-notch MBA students with work experience and especially powerful motivation to not only invest in a rigorous MBA program but to put their skills to the test publicly in the fire of business case competition.
The Finance Business Case Competition
My colleagues, who specialize in the wizardry of finance, ensure that no idle comment goes unchallenged, no misplaced decimal escapes detection. That no unusual explanation goes unexplored.
At the higher-level finals competition, this fine-toothed comb catches few errors . . . because few errors exist to be caught. These are top-notch students, imbued with a passion for the artistry of a company’s financial structure and operations. Along this dimension, the teams are relatively well-matched.
But stylistically, much remains to improve.
And if you believe that “style” is somehow unimportant, you err fatally with regard to the success of your presentation.
By style, I mean all of the orchestrated elements of your business presentation that combine to create the desired outcome – emotional involvement with your message, a compelling story, and acceptance of your conclusions – all explained in an especially powerful way that transmits competence and confidence. And in this sense, style becomes substance in a business case competition.
So, while the substantive content level of the top teams in competition is often superb, style differentiates the finest from the rest and can determine the competition winner.
To enter that top rank of presenters, note these common pathologies that afflict most teams of presenters, both MBA students and young executives.
1) Throat-clearing
I don’t mean actual clearing of the throat here. Unfortunately, many teams engage in endless introductions, expressions of gratitude to the audience, even chattiness with regard to the task at hand. Get to the point. Immediately. State your business.
Deliver a problem statement . . . and then your recommendation, up-front. With this powerful introductory method, your presentation takes on more clarity in the context of your already-stated conclusion.
2) Lack of confidence
Lack of confidence is revealed in several ways, some of them subconscious. Uptalk, a fad among young people, undermines even the best substance because of its constant plaintive beg for validation. Dancing from foot to foot, little dances around the platform, the interjection of “you know” and “you know what I mean” wear away the power of your message like a whetstone.
3) Unreadable PowerPoint slides
The visuals are unreadable because of small fonts and insufficient contrast between numbers/letters and the background. Ugly spreadsheets dominate the screen to no purpose. This sends the audience scrambling to shuffle through “handouts” instead of focusing attention on the points you want to emphasize. You have created a distraction. You have created a competitor for your attention that takes focus off your presentation.
4) Ineffective interaction with visuals
Rare is the student who interacts boldly with his or her slides. Touching the screen, guiding our eyes to what is important and ensuring that we understand. Instead, we often see the dreaded laser pointer, one of the most useless tools devised for presentation work (unless the screen is so massive that you cannot reach an essential visual that must be pointed out).
The laser pointer divides your audience attention three ways – to the presenter, to the slide material, and to the light itself, which tends to bounce uncontrollably about the screen. I forbid the use of laser pointers in my classes as a useless affectation.
I have said that the business case competition no time for modesty or mediocrity.
The Business Case Competition is your chance to demonstrate a wide range of corporate business skills in a collaborative effort. You receive recognition, valuable experience, sometimes monetary reward, and perhaps an open door to corporate employment.
Work on correcting the most common errors, and you have started the journey to competition excellence.
Powerful Storytelling conveys your Most Important Point
I advocate storytelling in your business presentations, and your story should embody your presentation’s Most Important Point.
Stories are powerful tools of communication that can capture complex ideas in a few telling strokes. They involve your listeners better than any other competing technique.
They can serve you well and confer personal competitive advantage over your entire business presenting career. And they can convey your Most Important Point better in masterful fashion.
But It Takes Practice
But in telling a story, we can sometimes veer off-course. We become so enamored with our own words that they build a momentum of their own, and they draw us along with their own impetus.
That’s why it’s imperative that we stay tethered to our main point.
Professional storyteller Doug Lippman calls this the Most Important Thing. I like to call it the MIP – the Most Important Point.
Christopher Witt is a competent coach for today’s executives, and he makes a powerful point about a story’s MIP. He calls it the Big Idea:
A good movie tells one simple, powerful story. If you can’t sum it up in a sentence or two, it’s not a good story – and it won’t make a good movie. The same is true for a speech. A movie tells one story. A speech develops one idea. But it’s got to be a good idea – a policy, a direction, an insight, a prescription. Something that provides clarity and meaning, something that’s both intellectually and emotionally engaging. It’s got to be what I call a Big Idea.
What is your Most Important Point? Your MIP?
Decide!
Decide and make that point the focus of your story. Rivet your attention on that salient feature! Let this be core of your story and weave your tale around it.
I urge you to focus on one point, because our tendency as business people is to include everything initially, or to add-on infinitum until the story collapses under its own weight. The military calls this “mission creep,” and we can call it “story creep.”
Simple awareness of story creep is usually sufficient guard against it.
Your Most Important Point
Your MIP should run through your story, both directly and indirectly. It informs your story and keeps you on-track as you prepare your presentation. At each stage of your presentation preparation, ask yourself and members of your group if the material at hand supports your MIP. If it does not support your most important point, then it does not belong in your story.
Telling a story does not mean reliance upon emotion only. You must have substance. There must be a significant conclusion with each supporting point substantiated by research and fact and analytical rigor.
This should go without saying, but I decided to say it anyway. Actually, Ralph Waldo Emerson said it much better than I can:
Eloquence must be grounded on the plainest narrative. Afterward it may warm itself until it exhales symbols of every kind and color, and speaks only through the most poetic forms; but, first and last, it must still be at bottom a statement of fact. The orator is thereby an orator, that he keeps his feet ever on a fact. Thus only is he invincible. No gifts, no graces, no power of wit or learning or illustration will make any amends for want of this.
