We’re all familiar with the droning voice of the numbing speaker who rarely varies pitch, tone, or pace of a talk and who quickly loses us in monotony – and delivers the Boring Presentation.

In like fashion, you can be visually monotonous.

Visual monotony – either of repetitive constant movement . . . or of no movement whatsoever.

We know well the “rocker” and the “swayer.”

We know Mr. “busy-hands” and the “Foxtrotter,” who quicksteps in a tight little dance.  Perhaps you have seen the occasional great Stoneface, but he is a rarity today.

The Right Movement

Movement can enhance or cripple your presentation.  But you must engage the right kind of movement.

Before you begin agitated hopping about the stage willy-nilly, recognize that you should incorporate movement into your presentation for quite specific reasons.  Your movements should contribute to your presentation by reinforcing your message.

At the risk over over-alliterating, you should mesh your movements with your message.

Remember that every single thing you do onstage derives its power by its contrast with every other thing you do.  If you move all the time, like a constantly pacing jungle cat, it becomes the equivalent of white noise, and your movements contribute no meaning whatever to your presentation.

In fact, your movements become a distraction, leeching energy and attention from your message.  It, too, becomes a form of visual monotony.

Kiss of Sleep for the Boring Presentation

Likewise, if you remain stationary 100 percent of the time, the result is visual monotony.  You lull your audience into inattention, especially if you combine verbal and visual monotony in a single presentation – The Kiss of Sleep . . . for your audience.

Those in theater know this principle well.

In his very fine Tips for Actors, Jon Jory intones that: “Your best tool to avoid this dangerous state is variety.  Three lines of loud need soft.  Three lines of quick need slow.  A big dose of movement needs still.  Or change your tactics.”

So, think of movement as one more tool in your repertoire to evoke feeling from your audience and to convey a powerful and persuasive message.  And avoid the boring presentation.

The secret is not Movement alone . . . the secret is keen, decisive, proper, and exquisitely timed Movement.

Integrate your movement with your message for an especially powerful presentation.